A Regency Primer on How to Play Whist

Many historical romance novels feature card rooms at balls, clubs or dinner parties and gaming hells where rakes wager over the turn of a card or toss of a dice. Many games that are no longer familiar to us are rattled off: hazard, piquet, faro, and whist. Often, the games chosen have meaning for the characters playing. A man who plays hazard is a great risk taker, where someone who knows how to play whist is a serious strategist and likely has a good memory for counting cards.

Today, we’re going to take a closer look at the game of whist. One of my projects involves a decisive game of whist, so last summer I decided I needed to learn how to play. Luckily, there’s lots of documentation available on the basic rules and strategies for play as well as some online game venues which allow for free play (link at the end!). So now you can experience the game for yourself and know what they’re talking about the next time you read about it in the context of a Regency romance novel.

How to Play Whist: Image of a playing card from Hall & Sons, early 19th century.
The Jack of Hearts. Early 19th c. playing card from Hall & Sons. Notice the face card has a single head and centered eyes compared to modern cards. The backs also would have been plain white.

History of Whist

“That’s not according to Hoyle!” and “According to Hoyle,…” were popular phrases in my grandparents’ house. Edmond Hoyle was considered quite the expert on cards and other games in the 18th century. He wrote many pamphlets or treatises on various games such as Whist, Quadrille, Piquet, Backgammon as well as a books on probability theory and chess. In 1748, his pamphlets were collected and sold under the title of Mr. Hoyle’s Treatises of Whist, Quadrille, Piquet, Chess and Back-Gammon.

The rules of whist as published in A Short Treatise on the Game of Whist in 1742 were considered authoritative until 1864, when they were supplanted by John Loraine Baldwin’s new rules which were adopted by the Arlington and Portland clubs.

Whist remained popular through the late 19th century and acquired a rigid set of rules, etiquette and techniques that required a large amount of study to become a successful player. In the early 20th century, Bridge replaced Whist in popularity, especially in the United States, although Whist is still played in Britain at local tournaments called “Whist Drives”.

How to Play Whist

Preparation

What we think of now as a standard 52-card deck or during the Regency what was known as a French deck, is used. Cards are ranked in order from highest to lowest: Ace, King, Queen, Jack, 10, 9, down to the deuce (or two).

Four players form two pairs and the partners sit opposite each other at the table. Pairs may be chosen by drawing cards: two highest against the two lowest. Players may not comment on the cards they are dealt in any way or signal their partners.

Shuffling & Dealing

Typically, two decks of cards are used to allow the dealer’s partner to shuffle one deck to have it ready for the dealer of the next hand while the dealer deals. Cards are shuffled by the player to the left of the dealer and cut by the player on his right.

All cards are dealt out face down until each player has 13 cards in their hand. The last card to be dealt, belonging to the dealer, is placed face up to indicate the trump suit. This card remains face up until the dealer plays the first “trick”. After all thirteen tricks are played, the dealer advances clockwise.

Taking Tricks

The first trick is lead by the player on the dealer’s left. He may play any card in his hand. Play continues clockwise with players following the leading suit if they if have any in their hand. If a player doesn’t possess cards in the suit lead in the trick, they may either discard any card or trump by playing a card of the trump suit. A trick is won by the highest card in the lead suit, unless a trump card was played. If multiple trumps were played the highest takes the trick.

The winner of the trick collects the 4 cards played and places them face down in a stack near him. He then leads the next trick. Only cards from the previous trick may be reviewed before the lead card of the next is played, otherwise players are expected to remember what has been played. Play continues until all 13 tricks are played and then the score is recorded.

How to Play Whist: A whist counter dating from 1820.
A whist counter dating from around 1820.

Scoring Hands & Determining the Winners

Once all 13 tricks have been played, the pair collecting the most tricks scores 1 point for each trick taken in excess of six (called ‘making book’). A game is over when a team reaches 5 points. Variations include playing to 7 or 9 points.

It was often popular to play a “rubber of whist” which meant that the winners were determined by the best of three games.

Whist Counters or Markers

How to Play Whist: Whist Tokens - with a storage tin.
Whist tokens and storage tin. Four tokens could be used to score 9 point games.

Tokens or chips were originally used to record the score, but later in the 19th century dial counters and hinged pegs (or turnups) that snapped up to keep track of the score. Cheaper versions included cardboard and leather dial types and the more elaborate more expensive varieties might include exotic woods, ivory, mother of pearl. Two of the well-known producers of whist counters or whist markerswere Goodall & Sons and De La Rue.

Basic Whist Glossary

Trump
The suit of the last card dealt in a hand that beats all others regardless of rank, cards within the trump suit rank normally against each other.
Lead
The first card played in a trick.
Trick
The 4 cards played by each participant
Hand
13 tricks, once through the deck.
Small Slam
When 12 of thirteen tricks are taken by one team.
Grand Slam
When all 13 tricks are taken by one team.
Book
The first 6 tricks taken by a pair. Points for additional tricks taken are scored only after they ‘make book’.
Game
Played to an agreed upon point total, usually 5, 7 or 9.
Rubber
The winning pair is the best of three games.

You can even hone your skills for free by playing Whist Online at Games.com. If you’re just learning, I recommend choosing single player mode, which partners you with a computer player against two other computer controlled players. To view a wide variety of different styles of whist markers, visit Laurent Gimet’s collection at The Whist Markers Museum.

More information regarding a variety of other Regency-themed topics including how to play Hazard can be found on my Regency Resource page. If you’d like more information on a specific place or topic, please let me know in the comments section below.

Mentors I Have or Haven’t Known

Last week in my accountability group’s HOW I WRITE series, I talked about why I love historical romance. This week we’re talking about our mentors, whether they realize they influence us or not.

Mentors Who Are Aware They’re Mentoring

Photo of interconnected hands.My local San Diego RWA chapter has a great image it shares with its members. The image is a powerful one of one hand reaching forward and another reaching back. No matter your progress along your writer’s journey, there’s someone ahead of you who can lend a helping hand and someone else who may be just starting out that you could help in return. As a PRO member, I fall squarely in the middle of the pack. I may not always feel like I have a lot to offer in terms of writing, but I’m always willing to help where I can.

I first met Jodi Henley at Romance Divas. She very helpfully absolutely shredded my newbie offering in the critique forum. Since then, I’ve had many aha moments while chatting with her, reading her critiques for other people, and reading her blog. This quote from Galileo Galilei sums up my best experiences with reading Jodi’s pearls of wisdom:

“You cannot teach a man anything; you can only help him find it within himself.”

You’re still here? I’m surprised you’re not off reading everything on her blog. I’ll be here when you get back.

So many things we hear, read, even experience, don’t sink in and click until we’re ready to hear them or are ready to recognize how it fits in with our own world views. One of the things I love about Jodi is how she makes me think.

I also consider my accountability group as mentors as well. There’s always something to be learned with this group, whether it’s about writing, balancing life, setting goals, or something completely random, the ladies listed at the bottom of this post are truly inspirational and supportive. I also still mentally include Bria Quinlan in this group she started. Thank you all. Again, there’s this wonderful feeling of being able to reach out and find helping hands.

Certainly not least of all is my husband. What can I say, I’ll follow him anywhere. He’s a super creative guy: MFA in poetry, and competent in art, fiction, music, game design and I can’t think of anyone who’d be as patient as he has been to put up with reading some of my horrendous first drafts without falling down laughing. It was his books on writing that caught my interest and introduced me to the person who actually set me off on this writer’s journey.

Mentors Who May Not Be Aware They’re Mentoring

I credit Dorothea Brande as setting me on this journey because after reading her book, On Becoming A Writer, I was bitten by the bug. Her voice cut across the decades and spoke directly to me. She believes in me all over again each time I re-read those pages. She’s my go to confidence booster and somehow, she also manages to say something new each time (sound like something Galileo said?) despite having written the book in the 1930s.

I also regularly read the blogs of the following people:
Kristen Lamb
Anna DeStefano
Joanna Bourne (especially her Technical Topics posts!)
James Scott Bell (his craft of writing books are wonderful and very straightforward!)
Scott Myers (Go Into The Story)

Each of them have provided a different lens to look through and discover new facets about writing or myself. I may never be able to thank them in person, but their insights and assistance are appreciated all the same.

Then there are the authors of everything I read. It’s hard to read for pure pleasure any more. I’m always thinking about story structure or character arcs and trying to figure out just how the author managed to wring such emotion out of a particular scene.

Everyone I interact with on social media has also had a hand in shaping who I am as a person, as a writer, as an artist. It doesn’t take a lot — pointing out a cool site, showing off an interesting photgraph, relating a personal experience, offering an opinion in the comments section, an offhand tip to others with similar interests — those all count!

I guess I’ve just been thinking a lot about who I can/should be reaching forward to and how I can be reaching back to lend a hand. So, c’mon… take my hand. It’s gonna be an interesting trip!

If you’d like to read more about who the rest of the group considers their mentors, you can find their blogs here:

* Alexia Reed * Kimberly Farris*
* Angeleque Ford * Danie Ford * Emma G. Delaney *


Your Turn: Who do you consider your biggest influencers? Do you consider yourself influential to others?

A Regency Round-Up on Valentine’s Day

Regency Valentine: Oldest mailed Valentine's card from 1790, now at British Postal Museum.
This handmade puzzle card is from 1790, now kept at the British Postal Museum, is not for sale. Text on face of the card reads:
“My dear the Heart which you behold,
Will break when you the same unfold,
Even so my heart with lovesick pain,
Sure wounded is and breaks in twain.”
There isn’t a lot of information available regarding how Valentine’s Day was celebrated in the early 19th Century. Most Regency Valentine’s cards (mostly handmade love letters) were considered ephemera and not held onto except in rare circumstances. You’ll notice I didn’t title this post as a primer, because I didn’t feel I could speak on the topic with much authority. I could have gone with the language of flowers for today’s topic, but many others have done that as well, and I didn’t feel it was limited to Valentine’s Day as it is now.

The commercialization of Valentine’s Day, as well as Christmas, can be laid at the feet of the Victorians. Industrialization was in full-swing and mass production of cards and trinkets was easier and cheaper than ever before. The Regency swains would have had to be much more resourceful, personal and creative to present their sweethearts with something memorable. Lucky, ladies! However, in the early 19th century, it wasn’t just the upper class that was sending notes and tokens of love and affection to their sweethearts, but something that was done across all classes.

Regency Valentine: Oldest printed Valentine's Day Card from 1797.
The oldest “printed” card was published in January 1797 by John Fairburn of 146, Minories, London. The text around the edge reads:
"Since on this ever Happy day,
All Nature’s full of Love and Play
Yet harmless still if my design,
‘Tis but to be your Valentine."
Instead of distilling many similar posts down today, I’m going to link you directly to the sources I would have used in penning today’s primer.

Ruth Axtell’s Reflections on Valentine’s Day at the Christian Regency blog

Bronwen Evans’ A Regency Valentine’s Day on her blog

Elaine Golden’s Getting Ready for Valentine’s Day? post at GoodReads

Amanda McCabe/Laurel McKee’s Valentine’s Day! post at Risky Regencies

Loretta Chases’ Valentine’s Day in the early 19th century at Two Nerdy History Girls

Susan Holloway Scott’s post A Father Warns Against the “Depravity” of Valentines at Two Nerdy History Girls


Wishing you a happy Valentine’s Day!

Why I Love Historical Romance

Photo of luxurious fabric to be made into a cape.Last week in my accountability group’s HOW I WRITE series, we talked about 3 Things I Love About My WIP. This week we’re talking about why we write in a particular genre and what attracted us to it. Also, we were asked if we like to read any genres we don’t or can’t write? Why? And would we like to try a different genre? I’ve already answered the “Why Romance” question, but I’m not sure I’ve ever covered Why Write Historical Romance, and Regency Romance in specific.

What attracted me to Historical Romance?

I grew up reading a variety of historical romances pilfered from my mom’s stash: Kathleen Woodiwiss, Kat Martin, Rosemary Rogers, Shirlee Busbee, Virginia Henley, Johanna Lindsey, and many, many, more. I’ll freely admit I was looking for escapism and a bit of the bodice ripping excitement promised by the covers. It was a slightly different kind from what I was finding in Science Fiction and Fantasy in that this was real world stuff, not wholly made up! Westerns/Colonial American, Medievals, Regencies… all were fair game. I never read the contemporary romances then. Probably because they all had boring object covers instead of those wildly passionate clinches.

So why settle into the Regency Era?

The romantic notions like titles and balls, the escapist fantasy, the slower/different pace of life, the layers and intrigue in the rules of society. The descriptions of men’s fashions, especially the mysteries revealed when a man removes his cravat. While I love me some eye-candy, there’s something to be said for leaving things to your imagination too.

They’d also just done away with the powdered wigs, patches, and panniers of the Georgian Era. Nasty stuff. Not practical and not attractive. Medievals were too much fantasy compared to the historical reality of fleas, sandy grit in the bread, women being literal property. In the Regency that last hadn’t changed legally, but the authors were showing their heroines more as partners than dependents. Victorian Era was too hypocritical for me in many of its attitudes around sex. I never really got into Edwardian Era books because anytime they drive up in a car or the phone rings, my immersion is shattered. Yes, I love Downton Abbey, but yup, the phone and the cars were jarring at first there too. I suspect my problem is more with books where the setting isn’t firmly established in the beginning and those things sneak up on me.

What else do I read besides Historical Romance?

What don’t I? The most represented genres on our shelves (well, the ones *I* read anyway) include Science Fiction, Fantasy, Young Adult, some Contemporary Romance, some Romantic suspense, historical time travel, a handful of chick lit mysteries, and a selection of urban fantasy. Again, it’s usually the escapist aspect that draws me to these genres, something removed from my ordinary world.

If not Historical Romance, what else would I try to write?

Maybe contemporary romance, Urban Fantasy or some fantasy, but it’d probably be flavored in some way by the historical aspect and it’d likely still have lots of romantic elements. But for now, I’m focused on finishing the current crop of characters in my head who all reside firmly in Regency London.

And if you’d like to read more about what’s got the rest of the group excited about their genres, you can find their blogs here:

* Alexia Reed * Kimberly Farris*
* Angeleque Ford * Danie Ford * Emma G. Delaney *


Your Turn: What’s YOUR favorite genre of book to read and why?

Interview with Historical Romance Author Shirlee Busbee

New Cover for WHISPER TO ME OF LOVEA few months ago when I first decided I was going to try my hand at author interviews, I had been “talking” online with several other authors and a few of the well-known ones in my genre so I figured the worst I could do was ask and get told no. Imagine my surprise when the very first person I asked to do an interview, Shirlee Busbee, floored me by saying yes! And yes, there was much fangirl squeeing. My mom is a big fan of her books and since I’d snitch her romance novels to read, I became one too.

So today, to celebrate her Feb 7th re-release of WHISPER TO ME OF LOVEamazon tracking pixel, I’d like to welcome Shirlee Busbee and thank her for being my guinea pig and being an inspiration in so many ways!

AND we’ll be doing another giveaway! One random commenter today will take home a signed copy of WHISPER TO ME OF LOVE!

*** UPDATE: THE WINNER OF THE SIGNED COPY OF
WHISPER TO ME OF LOVE IS:
GRACE BURROWES!!
CONGRATS! ***

Let’s not waste any more time. Let’s see how Shirlee handled the questions I sent her way.

1. What drew you to writing Historical Romances in general and specifically to setting stories during the Regency Era?

I guess we can blame it on my mom. She read what passed for Historical Romances and I just sort of gravitated in that direction. It isn’t so much the Regency Era as the time period from about 1790 to 1815 that interests me. There was so much going on at that time. The French Revolution. Napoleon’s rise to power. The War of 1812. The Barbary Pirates, and, of course the English Regency.

2. What’s the strangest bit of historical trivia you’ve picked up in your research?

Well, duh. You have me there. Can’t think of a thing. I’m sure there was something at the time that caught my attention, but nothing springs to mind. Sorry.

These next few questions assume that time travel is possible. So, if you could go back to Regency England:

3. What modern conveniences would you miss most? What would you miss least?

Electricity and a microwave. Indoor plumbing would be a must. I mean can you imagine getting up in the dead of night and the dead of winter and hiking out to the water closet a couple of times a night? Of course, they did have ‘Thunder Mugs’ but still!
Miss the least…The internet! 🙂

4. What would be the hardest for you to adapt to in the Regency Era?

A woman’s position. Not being able to speak my mind and being under my husband’s thumb. Being unable to call my own money MINE.

5. Where would you fit into the society? Where would you like to visit most?

Well, since my dad was a Naval Officer, I suspect I’d have been a lesser member of the ton.
Visit? That’s a hard one. I think probably Cornwall. The countryside, mostly coastal towns.

6. You’ve been married for 48 years to your best friend, Howard, so I’m going to consider you a firsthand expert on HEAs. What describes your perfect Romance Hero and what’s the secret to keeping a successful relationship going that long?

Okay, I’m guessing what a HEA is (I know, I’m a dummy). The perfect Romance Hero is intelligent and honest. He’s also kind. That he’s also handsome is nice. Rich, or at least comfortable, is good.
The secret of our relationship, is consideration and respect for each other (even when we disagree). H. and I swear we never argue, we do have very loud, very passionate discussions :-). Oh, and very important, laughter.

You’re not a dummy, I had to look it up the first time I ran into it too! HEA = Happily Ever After, for anyone still wondering. =)

7. You know your first book, Gyspsy Ladyamazon tracking pixel, is one of my all-time favorite romance novels, even if it’s not set in Regency England. I have to admit I was blown away by your first novel story on your blog. I was going to ask how you went from Business School and being a draftsman to writing romance, but you already answered in that post about your husband’s joke and his continued support as well as encouragement (pestering?) from your coworker, Rosemary Rogers. Fate, indeed.

What advice would you go back and give yourself if you could? Would you aim to give that advice before or after you spent 18 months writing 4 pages by hand on a legal pad? Would this advice differ from what you’d say to an aspiring author today?

My advice would be given before I wasted the 18 months, producing only 4 pages. If you’re going to be a writer, don’t play at it. Do it. Diligently and faithfully. If you read interviews with successful writers, the one thing they stress is best summed up with Hemingway’s quote, “apply the seat of the pants to the seat of the chair.” It’s that simple. Oh, and you’ll have always something else to do, but you have to make time to write and again, DO IT.

8. I don’t know how I missed the original release of Whisper to Me of Love back in ‘91, I’m a sucker for stories involving a thief! Which character (Morgana/Pip or Royce) or which situation came to you first that made you realize you had to write this story?

I knew I was going to use Royce because he appeared as a secondary character in a previous book (and don’t ask me which one — I’d have to go look it up), but when I started Royce’s book, Pip and her story just sprang to mind. I’m a seat of the pants writer and asking me to explain why or how has me as mystified as anyone. The story just evolves and the twists and turns it takes is as big a surprise to me as it is the reader. I can’t tell you the times when it all comes together and I’m like, “Wow. That turned out great.”

9. Are you still a voracious reader? What are some of your favorites?

Oh, yeah. I read constantly and if I don’t, I get all twitchy and weird. I call it refueling my batteries :-).
Favorites? Hmm. First you have to remember that I don’t, as a rule, read a lot of Romances. I do read them, but I prefer mysteries. I do love a book that combines both. Enjoy, Nora Roberts (who doesn’t?). Karen Robards. Tami Hoag. Some Historical Romance writers, I like — Elizabeth Hoyt, Julia Quinn and Tessa Dare (but since I write Historicals, I seldom read them). For straight romance, you can’t beat Linda Lael Miller. I also thoroughly enjoy Partricia Briggs, Paranormals featuring Mercy Thompson, but I also read a lot of books by Lee Child, John Sanford, Jeff Abbott, and Steven Martini. And, of course, Georgette Heyer. My list is endless and jumps all over the place.

10. You’ve seen a lot of changes both in terms of technology and the publishing business. What’s made your life easier and which changes have you found the most challenging as a writer?

You would ask :-). Okay, I love, love my computer. Especially spellcheck. The most challenging is learning how to negotiate through FB, Twitter and the like. Recently, for the first time, I had to edit my latest book, DESIRE BECOMES HERamazon tracking pixel, due out in July 2012, electronically and it was terrifying. I am so not computer smart and it’s been a real challenge stumbling my way through new methods.

Photo of Shirlee Busbee, romance author.Author of historical and modern romance, Shirlee Busbee has enjoyed tremendous international success since her first novel Gypsy Lady was published in 1977. Shirlee’s books have been translated into numerous languages and she is a household name to romance readers around the world with over nine million copies of her books in print. She is the recipient of numerous awards for excellence in writing, including the Romantic Times Reviewers’ Choice Award and Affaire de Coeur’s Silver and Bronze Pen Awards.

Born in San Jose, California in 1941, Shirlee grew up traveling the world with her parents, two sisters and three brothers as her father was a career navel officer. She attended high school in Morocco. Returning to California, Shirlee attended the Burbank Business College of Santa Rosa, then met and married Howard Busbee in 1963. While working in Solano County, she met her life-long friend and mentor, Rosemary Rogers. Shirlee followed Rosemary into the world of romance writing, with the much acclaimed success of her first novel, Gypsy Lady. Shirlee went on from that success to carve her own niche in the historical romance genre.

Shirlee and her best friend, Howard, celebrated their 48th anniversary in 2011. The couple resides in Northern California on a lovely ranch were they are kept busy with their beloved Mini Schnauzers, prize winning Shetland Ponies and of course Shirlee’s writing!

Visit Shirlee at her website and blog or “like” her Facebook page or follow her on twitter. She’s hands down one of the friendliest people I’ve met online!

Order from: Powell’s | Amazon (Kindle) | B & N (Nook)| Indiebound


Your Turn: What’s your favorite historical trope (Marriage/Betrothal of Convenience, Cinderella Story, Girl hiding as Boy, etc.)? Or just tell us the best thing you’ve ever heard while having sweet nothings whispered in your ear!

Don’t forget, one random commenter today will get a signed copy of WHISPER TO ME OF LOVE.

3 Things I LOVE About My WIP

Last week in my accountability group’s HOW I WRITE series, we talked about 5 Steps from Dreams to Completed Goals. This week’s topic is “Share at least 3 things you like, love, enjoy, make you excited to work on your current project.” So for anyone out there who doesn’t know what a WIP is, it’s a “Work In Progress”.

I’ve got two projects I’ve been ping-ponging back and forth on. Both are Regency-set Historical Romances and include some of the same characters (the heroes are best friends). I just love the feeling of immersion you get when an author builds a universe for you and you get to bump into old friends or enemies every so often. Anyway, I’m thinking mostly about BENEATH HIS TOUCH (BHT) more than REVEALED this days, but I suspect that’s about to switch as I have a lot more word count going on BHT and the story feels more complete. It needs polish and some slight remodeling, whereas Revealed needs some serious foundation work in order to stand on its own at this point.

A photo of a model, who is filling the role of The Duke of Wyndham.
BHT's hero: James Wyndham,
the Duke of Bolster
A photo of Narayan Fergal O'Connor, who is standing in for the role of Viscount Barrington.
REVEALED's hero: Hugh Leighton,
the Viscount Barrington

1. The Heroes

Who wouldn’t be excited about these guys? Getting them to do whatever I want? Dressing them up in cravats? Bonus! Seriously though, it’s a lot of fun to work with the starchy Duke and the puckish Viscount. They’re an interesting pair to play off each other. Similar in certain aspects, but different as night and day in others. How’s a girl to choose between them?

2. The Escapism

Just getting out of my own head and into someone else’s can be a good thing. Yes, all things with moderation and all that. But being able to let go of the here and now and slip back 200 years to an era of elegance and romance, it’s relaxing and fun. Yeah, that’s my story and I’m sticking to it. Besides, I get to do research on men in cravats so rewatching James Purefoy dressing as Beau Brummel totally counts.

3. The Romance

Ah, the romance! Looking at all the ways people can overcome the odds and find happiness with another person. Someone who is their best friend, someone who completes them. The HEA (Happily Ever After) is as predictable as the cops arresting the killer in a mystery, but exploring HOW that’s accomplished with their unique obstacles is the best part of each couple’s journey.

YOUR TURN: What are some things that have you excited about your current project? (Any type project is fine, it doesn’t have to be writing related at all!)

And if you’d like to read more about what’s got the rest of the group excited about their projects, you can find their blogs here:

* Alexia Reed * Kimberly Farris*
* Angeleque Ford * Danie Ford * Emma G. Delaney *

A Regency Primer on The Last Frost Fair

In the last entry in the Regency Primer Series we learned three ways to tie a Regency era cravat. This week, we’re going back in time to the last last frost fair. The last time the River Thames was frozen solid and the ships stood still and Londoners organized an impromptu festival in the middle of the river was in 1814.

The Little Ice Age

The Last Frost Fair: Painting of London Bridge Frost Fair in 1814.
London Bridge Frost Fair 1814

Between 1408 and 1814, the Thames River froze over 26 times in great solid sheets of ice. During this period, British winters were harsher and the river was wider and slower moving than it is today. This period was referred to as “The Little Ice Age” as a description of the severe winter weather characterized it.

The Last Frost Fair: Painting of the frozen Thames River off Three Cranes Wharf in 1814.
View of the Frozen Thames River off Three Cranes Wharf in 1814.

The Frost Fair of 1814 began on February 1st, lasted for four days. No one knew it  was to become the last Frost Fair in London, but the previous time the Thames had frozen over was in 1795. The city was ready to brave the ice and celebrate with a sprawling festival in the middle of the river.

John Ashton described the frolickers of the Frost Fair in his book, Social England under the Regency. He mentions that they drank in tents “with females,” played skittles, and danced reels. He also includes depictions of more sedate coffee-drinking and gaming booths. Printing presses were set up on the ice to print souvenir cards. The Annual Register noted that the frivolity continued until the ice began to break up forcing people scrambled for safety, not all successfully.

Old London Bridge Demolished

The Last Frost Fair: The Frost Fair, 1814 LondonIn addition to the climate growing milder, Old London Bridge was demolished in the 1830s and the new bridge supported wider arches, allowing the tide to flow more quickly and freely past. Combined with the embanking of the river that occurred during the 19th Century, this sped up the current and prevented the Thames from fully freezing over again.

The Last Frost Fair: The Frost Fair, London 1814.
The Frost Fair of 1814, by Luke Clenell.

“Gambols on the river Thames, Feby. 1814” by the famous caricaturist, George Cruikshank, shows a frost fair in the region of Blackfriars Bridge. As was his custom, no one was safe from ridicule and mockery. To the right in the foreground is a waterman with skittles and behind him a man’s wooden leg has caught in the ice. To the right is a printing press and in the center a woman has slipped on the ice next to a fiddler playing music as a couple dances.
The Last Frost Fair: Gambols on the River Thames, Feby. 1814 by George Cruikshank

Never Say Never

In true British fashion, in 2003 there was a revival of sorts of the spirit of the Frost Fairs of old. In Bankside, the one-day festival quickly grew to an event that spanned two weekends. The Bankside Winter Festival was modeled after the Christmas markets and featured many other events, including a lantern parade. Unfortunately, it looks as if 2008 was perhaps the last time it was held. I’d love to be proven wrong! It sounds like an amazing time.


More information regarding a variety of other Regency-themed topics can be found on my Regency Resource page. If you’d like more information on a specific place or topic, please let me know in the comments section below.

A Regency Primer on 3 Ways to Tie a Cravat

The last entry in the Regency Primer Series wrapped up our look at Twelfth Night and Wassailing which signaled the end of Christmastide during the Regency Era. This week, we’re going to take a closer look at some ways to tie a cravat. Three knots in which a gentlemen (or his gentleman’s gentleman or valet) could tie his cravat were The Mail Coach, The Napoleon, and The Barrel Knot.

The art of tying a cravat is certainly a lost one. Just look at how many men need help with how neckties are supposed to work. Many are challenged by a half-Windsor knot, which is the modern, simplified version of the fancy cravat worn by the dandies as they sought to out peacock each other in all matters sartorial. I must say, in looking for images to use with this post, guys, you can’t go wrong with a cravat if you want to look dashing and elegant while sweeping a girl off her feet. Don’t scoff when you’re forced to wear one for a wedding. Learn to tie a cravat, then wear it with style and panache! But be advised, you may end up in the parson’s mousetrap next!

How to Tie A Cravat with the Mail Coach Knot

Ways to Tie a Cravat: A very nice example of a Mail Coach Knot in a Regency Cravat.
A very nice example of a Mail Coach Knot.
Named for the mail coach drivers who wore them as part of their uniform, this knot is simple enough to require no assistance in tying, yet quite distinguished looking. No one would want to hold up the dashing fellow sporting one of these!

1. Hold one end of the cloth in your right hand and the other in your left so the cloth is stretched out.

2. Find the midpoint of the cloth. Place the midpoint of the cloth at the front of your neck. Wrap the right side of the cloth behind your neck so the right end of the cloth comes out on the left side of your neck, draping over your collarbone.

3. Wrap the left side of the cloth around the back side of your neck so that the end comes out on the front right side. Continue crisscrossing your cloth, layering the cravat so that it covers your entire neck. Leave at least a foot of slack on the ends of the cloth for tying.

4. Bring the ends of the cloth to the front. Place the left piece of cloth over the right piece of cloth to create an “X”. Pull the end of the top layer of cloth through the hole made at the top of the “X”.

5. Tighten the knot at the top of your neck. Arrange the top layer of cloth so that it covers the bottom layer and hides the knot. Spread the top layer of cloth so that it lies flat against your chest.

How to Tie A Cravat with the Napoleon “Knot”

This knot is not well documented except in Neckclothitania, published in 1818. It is very casual in demeanor, as it is little more than a simple crossing of the ends of the cravat. A cavalier hero would certainly be able to pull this one off. His heroine would require little assistance pulling it off as well.

1. Stretch your cloth in front of you with one end in each hand to find the midpoint.

2. Put the midpoint of the cloth on the back of your neck. Bring the ends of the cloth to the front.

3. Cross the ends of the cloth around your neck so that they drape over your shoulder or chest in an “X”.

4. Add a safety pin or brooch to the top of the ends to keep them in place or drape the top layer of cloth over the opposite shoulder.

How to Tie A Cravat with a Barrel Knot

Ways to Tie a Cravat: A Regency Cravat tied with a Barrel Knot.
The Barrel Knot.
One of the more “old fashioned” styles you see cravats worn in at weddings. Neat and tidy, yet not overblown or ostentatious.

1. Place the length of cravat cloth around your collar so the right side is a bit longer than the left.

2. Create a loose loop with the cloth, right side over the left, and pinch the ends of the loop together in an “X” , leaving two loose ends free.

3. Wrap the right side over once more, creating a loop around the “X”.

4. Pull the loose left side end through the loop you have just made and pull as tightly as desired.

5. Use your fingers to straighten the knot and cravat and position it against your shirt.


Get more information at Regency Reproductions and also a free pattern to make a cravat. You can find more information on the Necklothitania with descriptions of how to tie these styles at this site and links to more information about Regency fashion and life on my Regency Resources page. If you’d like more information on a specific place or topic, please let me know in the comments section below.


Transitions: 2011 to 2012

Last time, our How I Write series, we talked about which books we’d include in a time capsule for 2011. This time, we’re looking at the other side of the calendar and all the introspection and planning that comes with the beginning of a new year. The questions posed were “What did you accomplish in 2011? What one thing about last year would you change? And What are your goals for 2012?” This isn’t a new topic for my accountability group, we start assessing the current year and how we want to change and revise and plan for the coming year with SMART goals back in November.

2011 Accomplishments

I joined RWA at the national and local levels and also joined the regency era specialty chapter, the Beau Monde. I also finished BHT and submitted it to a literary agent. I haven’t heard back but it was enough to get my PRO status for RWA.

A photo of our new house.
We're homeowners again!

We bought a new house at the beginning of the year and have made significant progress on settling in and making it ours.

I made an effort to listen to music on a regular basis and got in at least 60 hours each month. I also got a new digital camera for my birthday and have been playing with it with good results. I also made an effort to reconnect with two of my friends and had brunch with them once a month.

As a family, we managed to do something together for each major holiday/vacation, saw our daughter promote from 8th grade and enter high school and celebrated DH’s 40th birthday. There were trips to D.C./Philly/NYC, L.A. and Jacksonville for educational enrichment, fun and family.

this was about half of what I’d hoped to accomplish but when it’s all listed out it sounds like a lot, considering all the usual health and chaotic interruptions.

What Needs to Change?

Less drifting along and more focus. Like water, I’m prone to take the path of least resistance. My accountability group and several members in my local RWA Chapter are amazing at prodding me along and give me the courage to move forward. I don’t have any good excuses for not chasing what I want.

2012 Goals

So, my big, hairy, audacious goals for 2012… I have more goals than what I’m laying out here, but most of them would bore you to tears. You probably won’t care if we get our bookshelves organized, if I treat myself to a spa day every 3 months, or if I make my annual donation to Juvenile Diabetes Research. Balance is important, but I feel my writing has suffered from having my attention pulled elsewhere or just drifting because I didn’t have clear paths to follow. 2012 is a year to change that.

Without further dithering on, here’s what I’m willing to stand up here and say, THIS is what I WILL accomplish this year:

  1. Attend the Nations RWA Conference in Anaheim in July. This is a HUGE for me. I’m not good with crowds or new situations. Eep.
  2. Have 2 mss out to agents & contests by the end of the year. Gotta justify my PRO pin and you can’t get a yes by never asking!
  3. Migrate my online identity to my name instead of my blog name or a nickname. Again, this is very hard for me, but needs done if I want to be taken seriously.
  4. Stop lurking and participate with other writers and with local people who energize us. One of the ways I’ll be pushing myself to interact with other writers is doing interviews here on the blog. Expect the majority to be Regency Romance, but I have a couple Victorian writers in mind that I think you’ll love too.
  5. Participate in a 365 Photo Project for 2012. Look for weekly summaries soon!

You should feel to pester me about any and all of the above if you haven’t sensed any movement from my cave in a while! Seriously.


YOUR TURN: How are you challenging yourself this year?

If you’d like to see what my friends accomplished in 2011 and have planned for 2012, you can find their blogs here:

* Alexia Reed * Kimberly Farris *
* Danie Ford * Emma G. Delaney * Angeleque Ford *

A Regency Primer on Twelfth Night & Wassailing

The Twelve Days of Christmas

Conventionally on the Western Christian calendar, the twelve days begin the day after Christmas, on Boxing Day. When the tradition began, days were counted from sundown to sundown. So Christmas evening is First Night.

This means that last night, January 5th, is what has been known as Twelfth Night since the Middle Ages. The Twelfth Day of Christmas falls on January 6th and is celebrated as the Feast of the Epiphany to commemorate the arrival of the three wise men in Bethlehem.

The wise men, who came to be known as the Three Kings – Caspar, Melchior and Balthazar – who brought the Christ child gifts of frankincense, gold and myrrh. These gifts were traditional Epiphany gifts for centuries. Kings and queens became traditional representatives of Twelfth Night. And to this day, in predominantly Catholic cultures, Christmas presents are not given out until January 6th — something that would not have happened in England during the Regency.


In the 18th and 19th centuries, Twelfth Night parties, or revels, were popular and featured games, charades, drinking punch or wassail and eating. A special Twelfth Cake, the forerunner of today’s Christmas cake, was the centerpiece of the party, and a slice distributed to all members of the household. By tradition, both a dried bean and a dried pea were baked into the cake.

The man receiving the slice with the bean was named King for the night; the pea’s presence identified the Queen. For the rest of the evening, they ruled supreme. Even if they were normally servants, their temporarily exalted position was recognized by all, including their masters.

By the early 19th century, the cakes had become very elaborate creations with sugar frosting, gilded paper trimmings, and sometimes decorated with delicate plaster of Paris or sugar paste figures, but no longer contained the dried beans and peas.

During the Regency period, the guests at the revels were expected to pick a slip of paper and maintain the role of the character written upon it for the evening. Besides the King and Queen, a variety of characters, often pulled from popular literature and plays, were put into the hat. Enterprising stationers even sold sets of characters for Twelfth Night celebrations.

One superstitious tradition that signaled the end of Christmastide was that by the End of Epiphany, all the decorations would be taken down and the greenery burned lest the household invite bad luck for the coming year.

Here We Come A-Wassailing

Wassailing

 

Many people went visiting or wassailing on Twelfth Night, a practice with roots in the Middle Ages’ custom of a reciprocal exchange between the feudal lord and their serfs. This was to distinguish this form of recipient initiated charity from begging as emphasized in the song, “Here We Come A-Wassailing”:

“we are not daily beggars that beg from door to door but we are friendly neighbours whom you have seen before.”

The lord would provide food and drink to the serfs for their blessing and goodwill, as communicated by the song. Wassailing is also the context alluded to in the English carol “We Wish You a Merry Christmas”, which dates to sixteenth century England, which mentions the English tradition where wealthy community members hand out Christmas treats, like “figgy puddings” to carolers. The not leaving “until we get some” line refers to the rowdy groups of young men who demanded free food and drink more along the lines of extreme trick-or-treating, where refusal was met with a curse instead of a blessing and frequently included vandalism.

In the Western counties of England (notably in Devon, Somerset, Dorset, Gloucestershire and Herefordshire) where cider is produced, wassailing also refers to drinking (and singing) to the health of trees in the hopes of waking the trees and scaring off the evil spirits to ensure a good harvest the next Autumn.

Orchard wassailing ceremonies vary from village to village but share common elements. A wassail King and Queen lead the song and/or a processional tune to be played/sung from one orchard to the next, the wassail Queen is then lifted into the tree where she places toast soaked in Wassail from the Clayen Cup as a gift to the tree spirits (showing the fruits created the previous year). Then an incantation is usually recited such as

Here’s to thee, old apple tree,
That blooms well, bears well.
Hats full, caps full,
Three bushel bags full,
An’ all under one tree.
Hurrah! Hurrah!

Then the assembled crowd sings, shouts, bangs drums and pots & pans and generally make a terrible racket until the gunmen give a great final volley through the branches to make sure the bad spirits are chased away and then they’re off to the next orchard.

This ancient English tradition is still practiced today. The West Country is the most famous and largest cider producing region of the country and two of the most important wassails are held annually in Carhampton (Somerset) and Whimple (Devon), both on 17 January (old Twelfth Night before the calendar shifted).

According to several diaries from the 1800s revealed that inhabitants of Somerset practised the old Wassailing Ceremony, singing the following lyrics after drinking the cider until they were “merry and gay”:

“Apple tree, apple tree, we all come to wassail thee,
Bear this year and next year to bloom and to blow,
Hat fulls, cap fulls, three cornered sack fills,
Hip, Hip, Hip, hurrah, Holler biys, holler hurrah.”


Do the winter holidays hold special traditions for you and your family? Have you ever participated in traditions with friends or extended family from another religion or country that you’ve come to incorporate into your own celebrations?

More information regarding a variety of other Regency-themed topics can be found on my Regency Resource page. If you’d like more information on a specific place or topic, please let me know in the comments section below.