Tag: How I Write

Hard vs Easy Parts of Writing

Parts of Writing: Dialogue: photo of two people conversing.
Dialogue: Talking Heads vs Meaningful Conversation

This week for our How I Write series, my accountability group asked, “Dialogue, narrative, exposition, or description? What are your favorite parts of writing and why? Your least favorite and why? What do you do to make your least favorite parts more attractive or easier?”

Deceptively Easy Parts of Writing

When I am able to completely turn off my internal editor, my writing defaults to dialogue. I end up with pages and pages of talking heads with the barest indication of what’s going on around them physically. The other trap I seem to fall into is INTERNAL monologues where the character will go on forever about what they think of a situation or mull over what to do next.

The dialogue runs are fun, because it’s like eavesdropping on a conversation and taking dictation. The trick is tipping the balance from talking heads to meaningful conversation between realistic characters. The introspective runs… they’re usually a good sign I need to stop, figure out where the story is going next and how to get the hero and heroine back on the page together. When I’m stuck, if I can get them in the same place and get them talking, things usually get moving again.

The Hardest Parts of Writing

I think the aspect I’m currently weakest on is using body language to convey emotion and character. Showing character is usually a little easier, but I find myself drifting back to my online roleplaying game days and relying on a small repertoire of actions: smiling, nodding, eyerolling, and various methods of fiddling with hair.

In the first draft, I do a bare minimum of actions. They’re more placeholders to remind me of the mood at the time. I have to go back and layer in emotion and variety. This is often done by adding in thoughts and reactions as well as other physical actions.

Description is another thing I find is either on or off for me. Usually, it’s something I have to go back and add in, unless it’s part of initially setting a scene. Oh, and I suck at describing clothing. I may have researched a fair amount on it, but I’m definitely not a fashionista for either the 21st or 19th century.

Strengthening the Weaknesses

So…how do I take the things I don’t like writing as much or don’t come as naturally and turn it into something that works? I’m apparently still working on that. For me, I need to make several passes and concentrate on one aspect at a time. My current pass is turning wooden, rote actions into something meaningful for the story that paint a better picture of the characters for the reader. Reading aloud helps find the stilted phrases and roleplaying the characters makes this more entertaining for me and often brings pleasant surprises with it.

I’d say the best thing to do is run with what you enjoy and comes easy to get down the story bones, but don’t be afraid to go back and add in more details even if it takes a few passes to flesh out that skeleton. Critical reading (to see how others pull it off) and practice also makes it easier. I don’t know if I’ve been successful at strengthening my weaknesses, but I know my writing process is going to be a work in progress for quite some time.

A Different Lens

I knew I used that phrase a lot in respect to my writing, but it had never really clicked before, why. I’ve been using the phrase long before I got my dSLR camera last year, but I get it now. I’ve mentioned before that photography has always been present in my life between my grandfather and my father. I frequently had a cheap little camera in my hands growing up and got a SLR camera as my high school graduation present. I loved to play with light, natural objects, and rarely took pictures of people or buildings.

With photography, my weaknesses are definitely still in architecture and people. I very rarely luck out and get something I love. But then again, deliberate practice on these two subjects is not something I have done very often. I think where I succeed with these is when I’m able to bring in elements of nature or at least let go completely and don’t think about it so much. But deliberate practice to explore what works and what doesn’t has been a huge part of this for me. Somehow, working with strangers is easier than people I know, maybe that’s a self-conscious thing. Although that’s my husband’s brother and sister in the photo at the top.

Sometimes, I just luck out.

YOUR TURN: How do you push through things you don’t like to do and can you turn your weaknesses into strengths?

And if you’d like to read about how the rest of my accountability group answered, you can find their blogs here:

* Alexia Reed * Kimberly Farris *
* Angeleque Ford * Danie Ford * Emma G. Delaney

Advice to the Future

This week for our How I Write series, my accountability group asked, “What advice do you think your younger self would give to you now? What advice would you give to your older self/future self?”
 

Then

Advice to the Future: A very out of focus image of a fish tank at night.
FOCUS!
In college, I first had the idea that I too could write a romance novel. It’s still firmly tucked under the bed, a few chapters in. I just sat down and started writing. No planning, no outline. Seat of my pants. And those first three chapters came out, splat onto the page. Then I hit a wall. I had no idea what happened next. In addition to that, I was in my junior year and there was so much shiny out there in the world to explore. The campus had just been wired with intranet and we had a chat system. This was not a recipe for good concentration. So, like now, my younger self would be warning me to focus on what I want to do, and do it.

Don’t just play around for a bit, keep at it!

Oh, and she’d tell me she really likes taking pictures, keep at that too!
 

Now

Advice to the Future: Photo of the moon, just past full.
“Reach for the moon
because even if you miss you will be among the stars.”
I know I still have focus issues, but without a goal to shoot for, it doesn’t get you anywhere. This quote is another instance of the universe whispering in my ear. I keep seeing it everywhere. And as part of our accountability group we do set goals, but I suspect I like checking things off more than pushing myself to stretch farther. Recently, everything has been about stepping outside my comfort zone, I need to also reach higher and keep taking those steps to get there.

It can be kinda fun to pause on the staircase to look around and see how far you’ve come. But keep going! If you don’t push yourself, you’ll never see how far you can go.

YOUR TURN:What would your younger self say to you now? What do you want to tell your future self?

And if you’d like to read about how the rest of my accountability group answered, you can find their blogs here:

* Alexia Reed * Kimberly Farris *
* Angeleque Ford * Danie Ford * Emma G. Delaney

Teaching Moments

Teaching Moments: Photo of the sun breaking through the clouds.This week for our How I Write series, my accountability group was asked about teaching moments: “What have you recently learned from a REAL LIFE event/happening that you can apply to your writing/writing career?”

Have you ever felt like the universe is trying to tell you something?

It’s been shouting at me lately.

When the same phrases and themes keep coming at you, eventually one is going to stick. First it was, “If you never ask, the answer will always be ‘no’.” And then there was all the advise on pushing boundaries one step at a time.

Lately it’s been all about soul searching, knowing yourself, digging deeper, how your experiences mold you and using those deep core experiences and decisions to improve your writing. Now, Jodi Henley‘s been talking about core events for a while. I listened. I really did. However, I didn’t have the right mindset at the time to learn as much as I needed. Jo Leigh came to my local RWASD chapter meeting this past month and talked about “Core Decisions” — it wasn’t the most comfortable meeting for an introvert who doesn’t like discussing what makes her tick. But man, did it make the brain work overtime. Lots of ‘Aha!’ moments when thinking about what my stories have been about and why the heroines act and react the way they do.

I’ve recently had a few people look at my work and while they agree that while I can string a sentence together, something’s missing. Now, none of them came out and said this precisely, and I may be putting words in their mouths, but what I feel is missing is the ‘heart’. The emotional side of things. How does it really feel to be in these characters heads and why should we care about them.

I’ve learned a lot about the theory of why Emotional Structure works, why connections are drawn between authors and readers. But most importantly, I’ve learned that I cannot avoid what makes me “me”, not if I want to find my voice and connect with readers to bring my characters truly alive and make their stories matter.

The trick now will be opening up those veins and allowing it to bleed out onto the page. I need to abandon the theory, no I need to TRUST it, and put it into action.

YOUR TURN:What have you learned recently that it suddenly seemed like you were ready to learn?

And if you’d like to read about how the rest of my accountability group answered, you can find their blogs here:

* Alexia Reed * Kimberly Farris *
* Angeleque Ford * Danie Ford * Emma G. Delaney

Flip Your Brain with 5 Simple Tricks

Flip Your Brain: right brain/left brain spinning girl illusion gif
Click on image if not moving. Which way does she spin for you? Can you get her to switch directions?

This week for our How I Write series, my accountability group asked, “How do you balance between your muse and your internal editor? (and/or) How do you make your internal editor work for you, and not against you?” In other words, how do you find ways to flip your brain back and forth?

There’s a lot of talk about right-brained and left-brained people where the labels “logical” for the left side or “creative” for the right are assigned. And there are just as many people claiming it’s utter rubbish.

My more Vulcan-esque left side frowns and is confused by the lack of research supporting this split, because in fact, both functions are present in both hemispheres. However, on the right, the flighty and timid sprite is feeling extra whimsical today so we’re going to run with this analogy anyway. You can even take a quiz if you’re not sure which side you exercise more.

The Spinning Girl Illusion Gif

I love this illusion. She has all the grace I lack and she can’t seem to make up her mind about which way to turn. Oh wait… does she only spin in one direction for you? You guessed it… this spinning girl illusion gif is a quick test. If the dancer turns clockwise, then you’re using more of your right side of the brain and vice versa. Can you make your brain flip and get her change directions? Is it easy, is it hard? Do you find it just spontaneously happens or can you flip your brain and make her switch at will?

I then found this similar gif on Twitter… it’s the same basic illusion, but the spinning girl has two partners, each marked with slightly different lighting effects. If you have trouble getting her to spin on demand, the gif below might help you see it better. For example, if you look at the figure on the left, all three should spin clockwise. Likewise, when looking at the right figure, they should all spin counter-clockwise. Can you set your focus in such a way that two figures spin in one direction and the 3rd in the other? Can you reverse that? Isn’t it fun to do brain flips like this?


 
A lot of artistic types talk about their muse or their characters speaking to them, of being unable to create until that spark of inspiration hits. But others claim there is no such thing and you can train yourself to be creative on demand. Another term that comes up a lot is “internal editor”. You know, that voice that complains when you use the wrong word or says it all sucks, or wants those paragraphs or scenes switched around. Yeah… that annoying pest. I don’t know about you, but they always seem to want to get to work when I want to just write.

5 Ways to Flip Your Brain

  1. Practice with the spinning girl illusion gif(s) above This is kinda fun and feels like you’re wasting time, but only you can tell if it’s worth it. When I’m feeling overwhelmed by my internal editor, I’ll pull up this gif and wait until I can get her going clockwise before trying to write.
     
  2. Visualization Sometimes before a writing session, I’ll visualize stuffing my internal editor into an iron-bound box and shipping her off to Timbuktu for a while. This, combined with a timer, helps me flip my brain and focus on the creation of new words instead of getting caught up in futzing with ones already on the page.
     
  3. Give Both Sides Time To Play It might sound weird giving your worst critic time to play, but it doesn’t always have to be on YOUR stuff. A critique partner can benefit too! So… Give that IE a vacation (forced if necessary like above), but also give your analytical side some exercise too.
     
  4. Compartmentalize Set boundaries for yourself. Maybe you can only allow yourself 30 minutes rereading what you wrote previously and make changes and catch typos. Maybe you feel more creative in the morning, so use that time to create and do your edits and revisions later in the day. You might even find alternating days or longer periods work better for you.
     
  5. Prime the Pump Similar to compartmentalizing… do some warm-ups to help flip your thinking before jumping in to your project. If you need to be creative, try do something for 5-10 minutes that stimulates one or more of the items on right-side brain function list below. If you need your best analytical skills, pick something from the left side.

Left-Brained and Right-Brained Activities

Left Brain Right Brain
uses logic feeling
detail oriented “big picture” oriented
facts rule imagination rules
words and language symbols and images
present and past present and future
math and science philosophy & religion
can comprehend can “get it” (i.e. meaning)
knowing believing
acknowledges appreciates
order/pattern perception spatial perception
knows object name knows object function
reality based fantasy based
forms strategies presents possibilities
practical impetuous
safe risk taking

YOUR TURN: Which way did she turn for you at first? How do you switch gears between creative and analytical tasks? Easily, consciously or do you need to wait for inspiration to strike?

And if you’d like to read about how the rest of my accountability group answered, you can find their blogs here:

* Alexia Reed * Kimberly Farris *
* Angeleque Ford * Danie Ford * Emma G. Delaney

3 Things About My Characters & Story

Photo of an old foundation at Harper's Ferry, WVa.
I like lots of layers for a strong foundation.

This week for our How I Write series, my accountability group asked, “Share at least 3 things you like or admire about each of your main characters. Share at least 3 things you like about your story.”

I’m going to focus on my reluctant duke’s story, Beneath His Touch.

Main Characters

  1. James never expected to be the Duke, but he’s trying, for the sake of his family to do things correctly. He can admit he’s not prepared for the role and needs help. Just how much help, I don’t think he’s quite realized. He also has a quiet sense of humor about him that I just love.
  2. Tabitha is trying to save her brother from himself. She’s always been there to clean up his messes and she worries she will always be there, because at this rate, he’s never going to marry and will need someone to take care of him. In many ways, she’s fearless. She’s not afraid to ask for what she wants or needs, even though she may think she’s nervous about doing so at the time. She’s already decided what steps need to be taken and does them.
  3. Ambrose was a fun character to write. He’s over the top in so many ways, but I think we’ve all known someone similar. Rude, crude and totally wrapped up in themselves.

About the Story

  1. Lots of layers.This is one of the things I both love and hate about this story. There’s so much going on, I have trouble juggling it all. However, this is exactly the kind of story I love to read.
  2. Focus on partnerships. Neither the hero nor the heroine can function at their best on their own. They need the skills, perspective, and experience of the other in order to achieve the best possible outcomes. They balance one another in so many ways. Again, the kind of story I like to read. The hero might come across at first as an arrogant jerk, but as we get to know him better along with the heroine, we know that’s not the real man.
  3. First impressions aren’t everything. Both the hero and the heroine misread each other when they first meet, providing a large source of the tension between them. Getting past these first impressions isn’t the only conflict, but it’s one of the things I like about the story.

YOUR TURN: What are the three things you like best about your current creative endeavor?

And if you’d like to read about how the rest of my accountability group answered, you can find their blogs here:

* Alexia Reed * Kimberly Farris *
* Angeleque Ford * Danie Ford * Emma G. Delaney

Stop What You’re Doing & Have Some Fun!

Little girl joyously running across the beach
When was the last time YOU had this much fun?
This week for our How I Write series, my accountability group asked, “What’s the last thing you did strictly for fun? Strictly for yourself?”

“Oh, easy question!” I hear you… but take a second and think about it! We get so caught up in our daily routines that it’s all work, work, work. Or at least the same things over and over again. Also, if you’re like me, everyone else comes first. Sometimes this is necessary, pets can’t fend for themselves as easily. Nor can little kids. Even our significant others often need that extra bit of help to get them through their days…

So… did you think that was one question? On first read, I did. What was the last thing I did for fun, for myself? Just for me? You’re kidding right? Let’s see… my oldest was born in 1997… oh wait… no, that’s a bit of an exaggeration. But honestly, I do tend to put myself last.

Strictly for Fun

When was the last time you drove down the road, windows open, music blaring and sang along like you didn’t care? Yeah, I can’t remember either.

What about dancing around like a maniac, maniac… oops 80s flashback there. Rolling down a hill or spinning in circles until you were dizzy?

Why do we give these simple joys up?

Anyway… to answer that as one question… I’d say the 365 photo project is probably the last thing I’ve done for fun that’s just for me. I’m so glad Kim & Mel talked me into it! Is it stressful taking a photo every day? I was afraid it would be, but it’s actually been very relaxing. I’ve only had a couple days when I was either so sick or exhausted that it was the last thing I wanted to do, but it felt wrong not to do it. Do I feel a certain pressure to perform and take that “perfect shot” each day? Not really. I’m very fortunate in where I live and I’ve gotten a lot of compliments on my photos, but I’ve also realized that taking and discovering the resulting photos is just something that makes me happy. Don’t get me wrong, I like it when others like the same ones I do, but I find the photos more refreshing than the comments. I have zero aspirations about getting into a magazine, gallery or anything like that, so I’m working on pleasing myself and learning the controls on my camera. My favorite shots go into rotation on my screen saver and make me smile when I walk back through the room.

Strictly for Myself

Now, you could also read “What’s the last thing you did strictly for fun? Strictly for yourself?” as two separate questions. I’m still sticking with the above for the first part… but what about “What was the last thing I did strictly for myself?” That’s a much tougher question for me. Most of my days are still focused on making sure life keeps moving around me. I’ve gotten better about taking time for myself and doing things I enjoy, but I’m also prone to letting my days slide past and then scrambling to catch up on the stuff that has to get done, leaving me stressed and overwhelmed. My mom used to laugh at me because I took my “me time” on Sunday afternoons at the grocery store. It was an hour where I knew my husband would be home with the kids and I didn’t have to do or think about anything I didn’t want to. I could have an hour of near silence! Bliss! Yup, fooled myself good there, didn’t I?

There are two things that I started doing just for me in the past year or so. Once a month, two of my friends from when my son was in Cub Scouts and I go out to brunch. We take a couple hours to visit and gossip and share what’s going on in our lives. These people help ground me and also provide perspective. It’s a nice break from routine and is now something we’ve all come to look forward to each month.

The other is taking one Saturday a month and attending my RWA SD Chapter meetings. This seems like it might be getting close to fooling myself again, but having the day to myself without family obligations and surrounding myself with other writers really helps me recharge and keep the enthusiasm levels high for writing. I’m an introvert, so this sounds counter intuitive, but my chapter is awesome that way. I don’t feel pressured to perform, I can just sit and soak up everyone’s energy and boy does that chapter have it in spades! The announcements for sales, agent requests, contests and good news takes forever to get through! I definitely wouldn’t be stepping out of my comfort zone as much as I have if not for this great group of people. An instant cheering section, a sympathetic ear AND a great resource all rolled up into one.

What? Just two days a month? 24 days a year? That’s all I take and do for myself? It doesn’t sound like much and I’m sure there are dozens of smaller things I do far more regularly, but those are the big ones that stand out for me as being significant and ones that have also made positive changes in my outlook and attitude. The fact that both incorporate the ideas of “fun” and “for myself” make all the difference for me.

Stop what you’re doing & have some fun! Do it for yourself.

YOUR TURN: So… What’s the last thing you did strictly for fun? Strictly for yourself? (Feel free to answer it as one question or two!)

And if you’d like to read about how the rest of my accountability group answered, you can find their blogs here:

* Alexia Reed * Kimberly Farris *
* Angeleque Ford * Danie Ford * Emma G. Delaney

Spring It Forward

photo of spring flowersSpring forward. Spring Cleaning. Renewal. Rebirth. Awakening.

These are all clichés associated with spring. Now, we all know that clichés become trite and commonplace for good reason. There’s a universally acknowledge grain of truth in them or tradition builds up and it’s just the done thing.

So… What have I done to spring myself forward this year?

2012 Seems to be the year of challenging myself. This is the first spring in about three years that I’ve felt able to do this. I’m not swamped with my son’s health issues. My focus isn’t bent to making sure he’s finishing every piece of assigned work so it counts toward his attendance or even being split by calls from the health office to come pick him up from school, because his head hurts so bad he can’t make it any longer.

First there was my RWASD chapter’s PALS Challenge where the published authors challenge the PROs to finish a book between February and September. Yup. Jumped on that bandwagon. Signed up to finish a 75k word story, I need to put about 500 words a day toward it. This used to mean about 20 minutes of writing on a good day. Completely doable though.

Next came the chapter’s Spring Into Romance contest (Deadline was extended to March 31, 2012! The contest has a positive reputation for constructive and valuable feedback and is only about $1 per page before postage.) I only judged last year and I’m judging again this year. But, I decided I needed to enter as well this year. It was on my goals list to enter an RWA Chapter contest, and what better place to start than my home chapter. I pushed this one further. I submitted two entries to see the difference between the feedback on the older piece and the newer piece to objectively see how my writing has changed.

Never one to shy away from encouraging others to join her in mad deadline dashes, Bria Quinlan decided to host a #wordfool challenge this year (yup, that’s lots of words by April Fool’s Day). I thought it would be cheating to use the same words I was already doing for the PALS challenge, so I signed up to add an additional 250 words a day to one of my older manuscripts that could use some fleshing out. Again, not a lot, but manageable right now. So far, so good! Even after coming down with a horrible sinus infection this week. I slacked off on the PALs challenge, but even with a 102˚F fever, I managed to find those 250 words. Hopefully, they won’t be too obvious. =)

Use that renewed energy and challenge yourself to take new steps, up your game, reach new heights. Pick a goal, and spring it forward!

YOUR TURN: So… What are you doing to spring yourself forward this year? (This can be in your career, your life, or any creative endeavor!)

And if you’d like to read about what the rest of my accountability group is up to this spring, you can find their blogs here:

* Alexia Reed * Kimberly Farris *
* Angeleque Ford * Danie Ford * Emma G. Delaney

So… You Wanna Be A Writer?

Cover image for Dorothea Brande's On Becoming a Writer
This week’s topic for my accountability group in our How I Write Series is “What do you wish you had known before you had even started to write? What would you have told your past self? Would you have discouraged yourself or encouraged? Would you have gone a different route?”

So… this post isn’t so much general advice to newbie writers, but more specifically tailored to what I wish I’d known back in 2007 when I decided I was going to do this writing thing as a creative outlet. I was bored and at loose ends during the summer of 2007. I picked up my husband’s copy of Becoming A Writer by Dorothea Brande and was blown away.

The book was written in the 1930s, but here she was in my head, speaking directly to ME, telling me I COULD do this! She believed in me. Total and complete unconditional belief.

Ok. That sounds hokey, but it’s exactly how it felt. And, so armed with that boost in confidence and not much else, I set out to write a Regency-set historical romance, just like the ones I’d been devouring at an astonishing rate. In retrospect, probably not the best plan, but not the worst either. If I’d tried something too simple, I would have been bored easily and not stuck with it. Instead, I’m still eager to tell the first two stories I began the right way. And some day, I’ll pull it off! I’m getting closer all the time.

So…

What do I wish I had known before you had even started to write?

How to better tell a story. I’m still working on learning this one, but knowing where to look for guidance would have been a godsend. These books will be some of the most influential to your writing process and understanding of how stories work: Emotional Structure: Creating the Story Beneath the Plot by Peter Dunne, Story: Substance, Structure, Style and The Principles of Screenwriting by Robert McKee and On Writing Romance: How to Craft a Novel That Sells by Leigh Michaels. Go read them now.

Also, listen to Dorothea… write daily. The journaling is a good start, but keep it up and try playing with fiction in there too.

Oh, and going Gluten-Free will help instead of losing so much time to the boy’s almost daily migraines between 5th and 7th grade. Push to find the cause, not just treat symptoms.

What would I have told my past self?

This is harder than it looks. What you read in a published book is NOT a first draft. Don’t give up because the first draft isn’t perfect.

PRACTICE, practice, practice. Practice with ideas, synopses, hooks, blurbs. Oh.. and when you download Scrivener, don’t give up on it. It’s far more powerful than you think it is. It WILL help you see and build the structure you crave.

Would I have discouraged or encouraged myself?

I don’t think there are any valid reasons to discourage myself about writing in general. I definitely needed pushed and bless my DH, he’s encouraged me every step of the way.

Valid discouragement would be to avoid time sucks, avoid long stretches of not writing new words or ideas.

I would encourage putting myself out there sooner and networking earlier. Social media is a force to reckon with, but it’s not the only thing to spend time on.

Would I have gone a different route?

I don’t think I would have done things very differently, just sooner. And more consistently.

Life is going to happen around you. You will hit some serious road bumps, control what you can. Don’t hide from the world, don’t stop writing. Find your escape in the ballrooms, the salons, the characters. Yes, it may be easier to just play facebook games, and you may even convince yourself that you’re “helping your DH”, but you’re wasting valuable time and eneergy. *head smack*

Two other things, you know that Warrior Writer workshop with Bob Mayer?! It didn’t kill you, right? 1) You SHOULD take both days. *head smack* 2) You SHOULD listen to Pam and Margaret and join RWASD right away. *head smack*

YOUR TURN: What career advice would you go back and give yourself when you were just starting out?

And if you’d like to read about what the rest of my group would go back and tell themselves, you can find their blogs here:

* Alexia Reed * Kimberly Farris *
* Angeleque Ford * Danie Ford * Emma G. Delaney

Plot Bunnies: Proper Care and Feeding

Photo of a rabbit munching on grass.
The seemingly innocent-looking plot bunny
(Cuniculus ex machina).
Before we get to plot bunnies, let’s talk about creative insecurities for a minute. Many people worry to the point of paranoia about having their ideas stolen. This notion isn’t specific to any one industry either. Movies, music, writing, game design, car makers, electronics, everyone’s got something they’re afraid someone is going to overhear and take off with it and make their millions with it.

Unfortunately, ideas are cheap. Ideas are the easy part! It’s the execution of those ideas that are the equivalent of the MultiMillions Lotto ticket. Or not.

So… what’s a writer to do?

If you’ve ever heard the term plot bunny, you already know what I’m talking about. If you haven’t, a plot bunny is an innocent looking idea that hops up to you, nibbles at the carrot you’ve been dangling in front of your muse’s cave, and promptly scampers off in completely unpredictable zig-zags only to disappear down some plot hole, dragging you and your work-in-progress (WIP) with it because you refuse to let go of the string tied to the carrot. Way to go!

Today, we’re going to talk about what we can do to harness these wild critters and tamer, more domesticated story ideas and put them to work for us when we need them. Generating ideas, once you start is easy… you play the “What If…” game enough and the ideas start breeding like… well,… bunnies.

How to keep track of story ideas?

You need a way to corral these pesky varmints! Whether you use a notebook, a scrapbook, a WORD document, some other fancy piece of software on your computer or a combination of all of the above really doesn’t matter. The important thing is that your system works for you and that you can periodically retrieve and review your ideas.

Personally, I keep a set of nested folders on my computer for projects I’d like to one day write. Several have simple notes, others are more detailed, complete with pictures and outlines. Others have exploratory writing where a character, a voice, or other aspect captured.

How to decide if an idea goes into the story idea file?

The middle of a brainstorming session is NOT the time to let internal editors out of their box. Leave the censoring until later. Ideas shouldn’t be tossed before they’ve had adequate time to ripen. Some will definitely be “off” when you look at them again. Toss them then. It really doesn’t cost anything in the meantime, and luckily there’s no physical mess or smell to deal with. The ones that only seem a bit stale? Let them percolate a while longer. They’ll either bloom given more time, or prove rotten later.

Yep, I periodically review my idea file (not just when I’m bored or procrastinating) looking to see what’s interesting, might spark other ideas, or just to see which ones need a little air and attention. This is all part of the next section…

How to decide if an idea will make a good story? If it won’t?

Some ideas won’t let go. Like earworms, they’ll keep coming back. Often when you least expect it. These plot bunnies are more like the vorpal rabbit of Monty Python fame. They’re the kind that leap up and grab you by the throat and refuse to let go. These shouldn’t be ignored, but carefully explored and exercised regularly. They can be tamed, although some may take longer than others. If it holds your attention over time, it probably has some merit.

Many people talk about the “Book of your Heart” and “commercial ready” fiction. Only you can decide if an idea contains a story you want to tell.

Take your plot bunnies to the equivalent of a county fair. Talk about them with other writers and readers. If they get excited about a story idea, it probably has some merit.

My biggest problem is identifying story ideas that are with the range of my technical capabilities. I often feel like I’ve bitten off more than I can chew. Practice and patience are probably the best tools to use in this situation. I keep telling myself that anyway.

How to choose which story idea to work on?

The one that won’t go away. That’s easy for me to say, because I don’t have any external deadlines yet. I’m free to pick and choose between which characters are vying most loudly for my attention. Shiny New Project Syndrome (SNPS) is a valid concern. This is when anything new looks more interesting than what you SHOULD be working on. Set a limit on how long you’ll allow the new idea out to play. Use it as a reward for progress toward completion on the dreaded old project.

How to take an idea and form it into a plot?

Once I have an idea selected, I play with it for quite some time before I ever try to begin putting together a plot. I have to know the characters first. I have to know what drives them and how they’ll react to certain things. Don’t get me wrong, I like to be surprised along the way too, but I need to know the lay of the land first.

What to do when a story idea hits while working on another WIP?

First, make sure it’s not just SNPS rearing it’s ugly head. If it is, feel free to set aside 5-15 minutes to jot down everything you can think of about it. Remember, at this point the idea is probably not ripe. You can’t judge its merit yet. Let you muse play with it for a bit, then let it sit. Of course, I’ve also taken ideas like this and run with them and I think it shows that they weren’t quite ready to go because there are either gaping holes or I run out of steam after a certain point with them. They’re still in my folder, waiting for more information.

What kinds of ideas are in my story file?

Regency Romance Ideas: Beyond my big three projects (BHT, Revealed, and a new one I just started writing, but have been playing around with since last summer), I have 2 sequel ideas for BHT, a sequel to Revealed, a story about horse breeding and bloodlines in the nobility that’s based on a folktale at the same time, a Regency-set romcom involving mistaken identity and gender role reversals.

Other ideas: contemporaries: chef & foodie/reviewer/blogger, Holiday story with two blizzard-grounded travelers paired up in hotel because the airline assumes she’s male because of her name, then there’s the game developer heroine who finds true love online.

Also, before I go, I’ll apologize for any mixed metaphors or even abandoned ones above. I’ll blame it on the free-ranging wild bunnies and not on distractions or the lateness of the hour.

YOUR TURN: How do you keep track of your ideas? Do you have a wishlist of things you want to work on (feel free to talk about artistic projects, or any other projects around the house, the organization methods are likely similar)?

And if you’d like to read about what the rest of my group suggests for ways to deepen characters, you can find their blogs here:

* Alexia Reed * Kimberly Farris *
* Angeleque Ford * Danie Ford * Emma G. Delaney

7 Creative Ways to Create Character Depth

A view of the elevator shaft at The Top of the Rock in NYC.
How Far Down Can You Go?

My accountability group talked a bit before in our How I Write series in the posts on Building Character, but I wanted to take a closer look at some ways to create character depth, to make them unique, not just in your book, but in the market place.

WHY do we want to read about these characters, spend time with them and even revisit some of them? And WHY will we identify with them and CARE about their successes and failures? And, what can writers do when building characters so that they come alive on the page for readers?

1. Not just Faults, but Contradictions

Perfect characters are BORING! But in addition to giving them some quirks and character flaws, go farther. Give them contradictory details. Make the bad guy have a soft spot for small helpless fuzzy things. Too easy? Make your main character hold a strong opinion about something and then act in a hypocritical fashion.

2. Go Beyond Stereotypes & Archetypes

Yes, they exist because they’re familiar and recognizable. Are they interesting? Where’s the surprise? Where’s the mystery? Most people don’t like cardboard pizza. They don’t like cardboard characters either.

3. Go Beyond GMC

Deb Dixon‘s idea of Goal, Motivation and Conflict works well at the larger scale. But how many authors drill down with it to the smaller scale? How do those three elements color even their smallest actions and decisions? Weave it in, so it’s an integral part of the story fabric.

4. Vocations & Avocations

So your character has a job or a hobby. That’s nice. Go deeper. How does that influence their vocabulary, their insights, their relationship with others, their smaller actions and decisions? Do they live and breathe it? Or is it just another gloss coat? How does this profession or passion affect the plot? WHY did they/you make this choice? If you can swap it out easily, consequently you haven’t gone deep enough.

5. Use Varying Degrees of Focus and Distance

You know how some photographs are more interesting because not EVERYTHING is sharp and competing for your attention? Think of the difference between your mental definitions of “snap shot” and “photograph”. Good photos tell stories too. They also leave a bit of mystery and interpretation to the viewer. Writers can do similar things. By focusing on different aspects of your character at different times in the book, you can draw the reader in and let them explore what makes your characters tick. Then, only when you absolutely need to, reveal what you’ve hinted at in the shadows and the murky background to bring the whole picture into sharp focus when it will mean the most to the reader.

6. Go Big or Go Home

Don’t settle for making average characters do ordinary things. What can you do to pump them up and make it so the reader believes they may not overcome the high stakes they’re up against? What about your characters keeps the reader’s hope burning that they WILL succeed? This is where many characters who are deemed Too Stupid To Live (TSTL) fail the reader. The reader therefore has lost all hope for this character and may actually be rooting against them.

7. Dig Deep, Put Yourself In There

This is probably the hardest one for me to do personally. It doesn’t have to be the biggest, most traumatic event in your life, but we all share common experiences: happiness, sorrow, regret, hope, frustration, anger. Find ways to channel situations you know into your writing. The story details don’t have to be autobiographical, but use the feelings, both emotional and physical to connect your characters to your reader. For me, this is “write what you know” writ large!

YOUR TURN:
Have I missed anything? What are some of the things that make you fall in love with a character or wish you could know them in real life? What makes YOU care about a fictional person’s success or failure?

And if you’d like to read about what the rest of my group suggests for ways to deepen characters, you can find their blogs here:

* Alexia Reed * Kimberly Farris * Danie Ford * Emma G. Delaney

I’m also proud to note that this post was included in the Additional Resources for Secondary Character Development that goes along with the original NY Book Editors’s article: Your Guide to Creating Secondary Characters.