So… You Wanna Be A Writer?

Cover image for Dorothea Brande's On Becoming a Writer
This week’s topic for my accountability group in our How I Write Series is “What do you wish you had known before you had even started to write? What would you have told your past self? Would you have discouraged yourself or encouraged? Would you have gone a different route?”

So… this post isn’t so much general advice to newbie writers, but more specifically tailored to what I wish I’d known back in 2007 when I decided I was going to do this writing thing as a creative outlet. I was bored and at loose ends during the summer of 2007. I picked up my husband’s copy of Becoming A Writer by Dorothea Brande and was blown away.

The book was written in the 1930s, but here she was in my head, speaking directly to ME, telling me I COULD do this! She believed in me. Total and complete unconditional belief.

Ok. That sounds hokey, but it’s exactly how it felt. And, so armed with that boost in confidence and not much else, I set out to write a Regency-set historical romance, just like the ones I’d been devouring at an astonishing rate. In retrospect, probably not the best plan, but not the worst either. If I’d tried something too simple, I would have been bored easily and not stuck with it. Instead, I’m still eager to tell the first two stories I began the right way. And some day, I’ll pull it off! I’m getting closer all the time.

So…

What do I wish I had known before you had even started to write?

How to better tell a story. I’m still working on learning this one, but knowing where to look for guidance would have been a godsend. These books will be some of the most influential to your writing process and understanding of how stories work: Emotional Structure: Creating the Story Beneath the Plot by Peter Dunne, Story: Substance, Structure, Style and The Principles of Screenwriting by Robert McKee and On Writing Romance: How to Craft a Novel That Sells by Leigh Michaels. Go read them now.

Also, listen to Dorothea… write daily. The journaling is a good start, but keep it up and try playing with fiction in there too.

Oh, and going Gluten-Free will help instead of losing so much time to the boy’s almost daily migraines between 5th and 7th grade. Push to find the cause, not just treat symptoms.

What would I have told my past self?

This is harder than it looks. What you read in a published book is NOT a first draft. Don’t give up because the first draft isn’t perfect.

PRACTICE, practice, practice. Practice with ideas, synopses, hooks, blurbs. Oh.. and when you download Scrivener, don’t give up on it. It’s far more powerful than you think it is. It WILL help you see and build the structure you crave.

Would I have discouraged or encouraged myself?

I don’t think there are any valid reasons to discourage myself about writing in general. I definitely needed pushed and bless my DH, he’s encouraged me every step of the way.

Valid discouragement would be to avoid time sucks, avoid long stretches of not writing new words or ideas.

I would encourage putting myself out there sooner and networking earlier. Social media is a force to reckon with, but it’s not the only thing to spend time on.

Would I have gone a different route?

I don’t think I would have done things very differently, just sooner. And more consistently.

Life is going to happen around you. You will hit some serious road bumps, control what you can. Don’t hide from the world, don’t stop writing. Find your escape in the ballrooms, the salons, the characters. Yes, it may be easier to just play facebook games, and you may even convince yourself that you’re “helping your DH”, but you’re wasting valuable time and eneergy. *head smack*

Two other things, you know that Warrior Writer workshop with Bob Mayer?! It didn’t kill you, right? 1) You SHOULD take both days. *head smack* 2) You SHOULD listen to Pam and Margaret and join RWASD right away. *head smack*


YOUR TURN: What career advice would you go back and give yourself when you were just starting out?

And if you’d like to read about what the rest of my group would go back and tell themselves, you can find their blogs here:

* Alexia Reed * Kimberly Farris *
* Angeleque Ford * Danie Ford * Emma G. Delaney

More Structural Designs

18′ x 11′ Pictor™ TentMy son’s Cub Scout Pack spent the weekend camping in the cold and windy mountains. No incidents involved wild critters, but at night, we could hear the wolves howling at the nearby preserve. The boys had a great time imitating them.

We left home later than we’d hoped, so I put up the tent (mostly by myself) in the dark as DH lugged our gear up the steep path from the car. Others often tease us about our “hotel” tent, but once you put two air mattresses, all our stuff plus four people inside, our eight-man (or is that sardine?) tent just holds us.

It amazes me how some nylon fabric, six poles and twelve stakes provide sufficient shelter. Understanding the design determines how much effort you spend getting it up. Some tents ALMOST work, even if you get the wrong pole in the wrong sleeve. One of my friends had this issue Friday night. It looked like a tent and even acted like one, but she doubted it would withstand the expected winds. Luckily, it held, but it could have fallen apart on her and her son during the night.

So, what does all this have to do with writing, you ask?

After reading the first two parts of Dunne’s book, Emotional Structure: Creating the Story Beneath the Plot, while recovering yesterday afternoon, I realized I’m missing the stakes and poles in my writing or possibly I have only used stakes and poles, with no canvas between them. Hmmm, I haven’t worked that analogy out very well. Anyway, what I had written looked like a story, but it collapsed under close reading.

Dunne’s book is written as a guide for screenwriters, but his ideas apply to any type of fiction, especially character-driven fiction – like romance novels. He describes sowing the seeds of your story so you end up with complex characters with rich backstories that allow the plot to reveal patterns in the life of your protagonist – the personification of your theme.

I never quite understood what theme meant. The difference between story and plot always struck me as a semantic one. However, I felt these concepts click into place after reading Dunne’s quote, “The story is the journey for truth. The plot is the road it takes to get there.” I’ve read similar things recently, but not in a way that made sense.

Jodi and Jasmine recognized many seeds (even a couple I didn’t consciously drop) in the story I had buried in my head during this draft. However, for my story to work, I need to determine what truth (theme) I’m trying to reveal to the reader and build from there. Therefore, this week’s plan is to finish the book and work on Dunne’s exercises with respect to this story.