Architecture of Emotion

I got some phenomenal feedback on Revealed from several Divas. Jodi suggested some great websites: Michael Hauge’s article Screenplay Structure and The Unknown Screenwriter’s article on Transformational Character Arcs. She also recommended the book Emotional Structure: Creating the Story Beneath the Plot by Emmy award winning TV producer Peter Dunne, which has me itching to dig more into the architecture of emotion.

Jasmine also gave me excellent feedback much in the same vein – a need to see more justification behind the actions shown.

People (Hi, Bria and Jennifer!) have also said it needs to be longer. I’m good at making things over complicated. Considering the female lead was pulled from an abandoned novel idea, trying to fit her story in 1k words and even ending up with 2400 didn’t give it room to fully bloom. More experienced writers could probably pull it off, but not me.

This building characters from the ground up in a static medium is MUCH trickier than constructing them with more outright “told” and emergent behaviors that I’m so used to doing for online role playing games. So, it’s back to the drawing board (or at least will be after a weekend of camping with no ‘net) and burying my nose in theory again.

Thursday Thirteen: Criticize This!

 

13 Reactions to Criticism

This entry might not be as entertaining as the previous ones, but it’s something I’ve had to think about as I put my first piece out there and asked for opinions. It was a terrifying experience to put myself in such a vulnerable position, but my desire to learn more and become better at this had to come first. I absolutely refuse to acknowledge which of the following, if any (oops I just admitted to the last few didn’t I? Oh, well.) that I’ve gone through with this or any other writing i’ve asked someone else to look over.

1. Take everything personally. They hated your writing, ergo they hate you.
This one isn’t worth the time and energy it will take to maintain the grudge, the esclating tensions and figuring out how to get around the restraining orders. You’re better off putting your energy into something else for a while and coming back to it with fresh eyes to see why they didn’t like it.
2. Whine about how it’s perfect in your head and it won’t come out correctly on the page.
This needs to be worked out between your inner artiste and your internal critic. They’re both fighting for control and you’re losing. Make them work for you, not against you. They each have their place in the process, send ’em back to their corners, bribing them with chocolate if necessary. No one likes whiners, Wendy.
3. React to each critique as if it were gospel.
You need to know your story well enough to know what is useful and dead on. You are going to get different opinions and possibly contradictory ones from every reader. Some of the suggestions are going to be wrong for your work. Read everything, but think about it too and learn something from it.
4. Resist the urge to argue.
Again, probably not the best use of everyone’s time and energy. Save the passion you feel and put it into the conflict between your characters.
5. Scrap everything you’ve done, they don’t get it.
Sometimes this might be a valid response. However, it is probably an overreaction.
6. Everyone loved it so much that you run around the office burning bridges cause you’re gonna quit and write full-time.
Woah! Just a bit premature there. You’re going to have to face all those cube dwellers again in the morning after reality smacks you upside the head. Prepare yourself for the inevitable question, “So, when ya gonna write a REAL book?”
7. Everyone loved it so much that you run out and hire an assistant and a publicist.
Again, jumping the gun. Make sure you have the foundation necessary to support yourself before you are responsible for other people’s livelihoods.
8. Assume a lukewarm reaction means you suck at writing and you give up.
There are forces outside your control, young grasshopper. It may have been a bad day for them to read it. It may not have been that particular person’s cup of tea. Put it away, leave it alone. Go do something else for a month or longer. Then, come back to it and see if you agree or can see why.
9. Obsess over every detail that was pointed out as a problem.
Soon your dreams will be filled with demons chasing you, demanding that you sacrifice everything to them in order to make everything perfect. Either that or you shouldn’t have eaten that burrito so late. You need to evaluate WHY it was brought up as an issue, but obsessing isn’t usually required.
10. Abandon your writing in the name of studying the craft.
Don’t get so bogged down in reading about what other people have to say about how it should be done that you lose sight of your own instincts. Take the time to practice what you’re learning. Writing exercises are not 100% mental. (Wouldn’t that be cool though — to have a direct brain to computer COM port? Just think and it appears on the page?) You should never stop learning, but I know I have to practice the theory to learn it and understand it.
11. You cannot base your self-esteem and self-confidence on a critique or review.
We are more than our craft. If you put your work out there with the right mindset, you will be rewarded. If you go out asking for help and wanting to learn. I guarantee you, you will learn something. It may not be what you thought you wanted to learn, but it will be a valuable lesson.
12. Read everything more than once, but don’t obsess.
The further you can get your mind from the work critiqued, the better. Hold on to everything and look back at it and the work both with fresh eyes. Take what makes sense and use it. Learn something from everything — even if it’s just how not to say something.
13. Learn, grow, expand, and keep going.
When you put something out for criticism, you’re gonna get it. It may not be exactly what you’re looking for, but you’re gonna get it. Roll with the punches and learn more about your craft and your self in the process.

Links to other Thursday Thirteens!

1 Amelia June 2 Morgan St. John 3 Jane E. Jones 4 DD Mills
5 Susan Helene Gottfried 6 Paige Tyler 7 Shelley Munro 8 Jennifer McKenzie
9 Sandra Schwab 10 Gina Ardito 11 Seeley deBorn 12 Tempest Knight
13 Unusual Historicals 14 Carrie Lofty 15 Julie 16 Heather
17 Christine d’Abo 18 Alice Audrey 19 Debbie Mumford 20

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