This week for our How I Write series, my accountability group was asked, “If you could do anything for writing research, what would you do?”
Honestly, this was a no-brainer for me. I’d head over to Suzi Love’s blog and pull up her category of posts for the Best Places to Visit that relate to Regency England and start mapping out an itinerary. Since the question seemed to imply that time and money weren’t obstacles, I wouldn’t have to feel guilty about leaving anywhere off the list.
Oh, and I’d definitely take my camera. So I could go back later and revisit everything. Although I might have to invest in a few more memory cards.
I’ve never been to England, but as you can imagine, would love to go. Getting me to come home might be a problem. Hopefully, I wouldn’t fall through a time portal or anything so melodramatic while I was there, but I’m sure I’d come home with a whole flock of plot bunnies.
Your Turn: So what would you do for research on your creative project?
And if you’d like to read how the rest of my accountability group would like to do in the name of research, you can find their blogs here:
Bria and Valerie have planned a whole bunch of fun ways to lead up to their KISS / KISS-OFF CONTEST and I’m tickled pink to be asked to join in! I hope you’ll stop by and check out the contest too, which opens on August 31st!
This week for our How I Write series, my accountability group was asked, “There was an article a bit ago about how readers take on character traits of a favorite character from the book they’re reading. Do you do that with your own characters? Do you find yourself doing something your character would do?”
I have to admit I was more curious about the article than thinking about the question itself. I may have tracked down the original article or one very similar, and I wanted to include it here for reference, so you could understand where my thinking on this topic was coming from. The article, “Psychologists Discover How People Subconsciously Become Their Favorite Fictional Characters” by Christine Hsu ran at the site MedicalDaily.com on May 14, 2012 and focuses on the phenomenon of “experience taking”.
The article concludes that in order for readers to make the connection to the character, details that help readers relate to the character need to be shown earlier rather than later in the story. Gee, as writers, don’t we hear that all the time? This effect is why, suck the reader in, keep them in the story and you might also have a temporary effect on the reader’s daily life. And we can hope it’s a positive one!
So… Most people talk about a writer’s characters from the other direction. What real life experiences and what parts of your life do you put into your characters? Which are the autobiographical parts? But this question turns that concept on its head. What parts of our characters that we’re writing, do we reflect back into our daily lives?
I suspect that a lot of my new found courage and willingness to step outside of my comfort zones is a combination of those two things. I want to be more adventurous and more social, therefore, I write about those types of characters and in turn maybe exploring their lives they have inspired me to venture out of the safe zone. Other than that, I can’t think of any specific traits or characteristics that I’m consciously borrowing from my characters that I write.
Honestly, I’m not sure I could consciously (and I suspect that’s a key word here) pin point any characteristics that I’ve adopted from characters written by other authors. Do I think I happens anyway? Probably. Both in fiction and non-fiction. I mean, part of our job is showing characters learning and growing after dealing with huge-to-them experiences and readers read for the emotional experience, putting themselves in the protagonist’s shoes.
I also remember my husband telling me recently about something he read and it might have been the NYTimes opinion piece by Annie Murphy Paul, “Your Brain on Fiction“. Apparently there are studies that show that when reading about someone doing an activity if it’s well described causes the same parts of the brain get used as when the activity is done for real. The article mentions relating words for smells to the memories in the same ways that actually experiencing the scent triggers. That’s pretty strong stuff…. vicarious experience is nearly equivalent to actual experience! Mind-blowing stuff. Makes you want to go read some more of those inspirational success stories, right?
If you didn’t go read those articles, I think you’ll find them interesting and thought provoking. The concepts should definitely make writers stop and think about their choices and whether they’re being morally responsible in their portrayals of their lead characters.
YOUR TURN: What do you think? Does it make sense? Think it’s a bunch of hogwash? What about the last book you read? Did you want to be more or less like the protagonist? Do you think you may have subconsciously picked anything up from them? Did you feel like you were vicariously along for the ride?
And if you’d like to read how the rest of my accountability group answered this question, you can find their blogs here:
I’m going to stray a bit from the typical Tuesday Regency Primer post, today. Last week, I attended the annual National Conference for the Romance Writers of America. The day before the official conference started, my online chapter The Beau Monde held its annual mini-conference which included breakfast, a general meeting, a variety of workshops. But the best part of the day was the Beau Monde soiree that evening, complete with refreshments, period dancing and card tables.
I managed to miss the breakfast and general meeting but made it for Candice Hern‘s workshop on Accessories in Regency Era fashion prints for everything from bonnets and caps to ridicules to muffs and shawls. I loved how it was organized by year and we got to see how the styles changed over the years. Everyone was laughing over the bonnet brims that looked like mail boxes around 1807.
After that, came lunch and Delilah Marvelle (she of the A Bit o’ Muslin blog fame) was our keynote speaker. Her story was amazing and emotional, but while I don’t think there was a dry eye in the room, she also inspired and encouraged each of us to work through our struggles and convinced us that they can only make us stronger, as people, as writers.
After lunch, Isobel Carr’s presentation was on How Clothes Worked, and included a bit of show and tell. She passed around a pair of stays, which really were nothing more than a long bra/foundation and were much softer in construction than I had originally imagined, except for the busk (the ivory, bone, or metal insert that insisted on correct posture at all times). When we got to gowns, the static photo of an apron-front or drop-front gown with its multiple layers and numerous ties proved too much for pictures and a simple verbal explanation.
Delilah volunteered to be dressed in one that Isobel had brought along. Her white dress caused a few to remark how she already had her chemise on and would be perfect for the part. The inner bodice pieces tied in the front in a double-breasted fashion. Then, the front of the gown has two long ties that go around the back and tie in the front, but get tucked inside the front of the gown.
Finally, the part hanging down like a bib at that point, would be pulled up over those ties and the inner bodice pieces and pinned into place. This, Isobel explained, was most likely the type of gown worn by ladies who needed to dress themselves and the most easily lent type as it was very forgiving in matters of size, although length was more of an issue for Delilah than anything else. If you see the dress in pictures from the soiree, another member, Suzy Kue, is wearing the dress. She’s much taller than Delilah and said she was taking notes on what all she could and couldn’t do while wearing the stays with the busk under the dress.
That evening, we regathered for a soiree. As all good ton events must be, this was quite the crush. A dance mistress was brought in to teach and lead several country dances while a string ensemble played in the corner. Several tables were set up around the room and multiple games of cards ensued. A table of refreshments was also provided, and thankfully not a drop of weak lemonade was in sight.
Actually playing whist against three other humans instead of computer AI’s was exciting. Next time, I definitely need to be able to describe the why’s and how’s of strategy while playing, otherwise it’s a bit much like a modern game of SlapJack to see who had the highest card and take the trick. But all in all, it was a fantastic experience to be surrounded not only by over 2000 romance writers, but to mingle, rub elbows and socialize with that many Regency Romance writers who all had similar knowledge and appreciation for the genre.
This week for our How I Write series, my accountability group was asked, “What’s your current biggest obstacle to success? Name at least 3 things you can do improve your chances of overcoming obstacles.”
Ok, lemme ‘fess up here. I posed this question this week to my accountability group. And you know what sucks? This question sounded good in my head. It even looked good on the forum where my accountability group meets. However, when I realized I had to answer it too… it suddenly looked a lot more daunting. So forgive me, while I try to do this justice. I know it’s something I need to force myself to look at closely, answer honestly and use to build a game plan.
I’ve been skating by on minimal effort and making far too many excuses lately. And honestly, I’m not sure I can answer this with just one thing. I could point my finger in a number of directions: drive, follow-through, time management — hell, even blaming disruptions of my writing schedule on the people around me, but that one would mostly be a lie I tell myself to feel better. I still have the house to myself most days from around 9 am until noon or so, and I’ve failed to make the most of those hours.
I could also point to the many things I know are NOT obstacles. I can string a sentence together. I can even put together some workable paragraphs that read smoothly. I’ve been told I have a good historical voice. However, some spark is missing between me and the page. The ideas in my head aren’t translating properly. I get feedback that asks if I was going for a certain effect until I want to bash my head against the wall, because… Yes. Yes, that’s EXACTLY what I was trying to do. Only apparently, I didn’t quite.
So what’s my obstacle? Me. Sounds too easy right?
Lemme break it down by tackling three things I need to do in order to up my game and get past this hurdle.
First, and I’ve done this to some degree, but publicly own up to the idea that I am a professional writer. I just haven’t gotten paid for it. But in order to do so… I need to put in my hours and do the work. Nothing is going to write itself. To this end I’m renewing my commitment to use a time tracker on my iPad to make sure I log a minimum of 500 hours this calendar year toward justifying this as a business and not a hobby.
Second, I can’t let my head get in this place where nothing I do is any good. I’ve gotten fabulous feedback in some areas. I just need to work harder and improve the others. How exactly I’m going to accomplish this one? Yeah, I’m not sure either. I know what I can do toward this end is to take the valuable feedback I’ve gotten so far this year, and see if I can tease it apart from the exact manuscript, figure out how to make that work in general and then apply it back to the manuscripts in progress.
Third, I’m going to the RWA National Convention next week. This is part of the first step in treating what I’m doing more seriously, but also a great way to talk shop with experienced writers, take some workshops in some areas to get ideas on how to address the craft issues I’m having and also forcing myself out of my comfort zone and embracing that this is something I want to seriously pursue.
I think that last bit there is probably the most important piece of this post. “This is something I want to seriously pursue.” Pursue, not just allow to happen, not react to it happening around me, but to actively go out there after it, which I believe to be a very important piece of the puzzle when you’re looking at overcoming obstacles of any sort.
And if you’d like to read about the rest of my accountability group’s plans for overcoming obstacles, you can find their blogs here:
This week for our How I Write series, my accountability group is talking about guilty pleasures, both in our regular lives and in our writing.
Guilty pleasures shouldn’t be ignored. Indulge in them, because there’s a good reason that you like them. It doesn’t matter that no one else gets why you like it. They don’t have to. What matters is that this activity feeds your soul, your muse or your happiness. Ignoring them means cutting off a part of what makes you, well, you.
It may be cliché, but chocolate is ALWAYS a winner! The Maya bar has been there a while. Obviously not a favorite compared to the others, but it’s almost time to restock!
Everyday Life: Good Quality Dark Chocolate
I’ve always liked dark chocolate. But since my DH and I started following the Paleo Diet and gave up grains, potatoes, legumes and most sugar, we needed to find a treat that was indulgent, yet also had some benefits associated with it. One of the suggestions made was an ounce or so of dark chocolate for dessert. Preferably above 70% cacao to get the antioxidant benefits.
Most times we stretch this a bit and will go as low as 60% cacao for our favorite chocolate bars from Chuao (pronouced Chew-wow!). It’s a fairly local chocolatier with several shops in the local malls, but they are also stocked in our local grocery stores for slightly less. The first time we went in one of the stores they were trying out new flavors. One of those was a chocolate bar with potato chips in it. Oh, did I forget to mention that they’re a very artisan type chocolatier? They’ve got some really cool flavors: Honeycomb, Caracas (a pistachio/almond/hazelnut mix), and Firecracker (one with cinnamon and cayenne in it). Our favorite is the Caracas even though it’s Guilty because it has closer to 60% cacao, but Pleasure because it’s the flavor we like best and it’s not the worst thing we could be eating.
Our other standbys are Ghirardelli bars. They have an Intense Dark chocolate line that’s wonderful. This line ranges from Midnight (86% which is a tad TOO intense for us. It’s more of a gritty than a smooth feeling.), Twilight (72% – not too gritty and above 70%!), Evening (60% – below the threshhold for us except for special treats and we prefer the Caracas from Chuao if we’re going to go below 70%. However, our favorite Ghirardelli bar from the Intense Dark line has to be the Sea Salt Soiree. It has sea salt and almond bits in it, but I had to check the label a couple of times because it tastes just like pretzel bits. Perfect blend of sweet & savory.
There are a few other brands we like… one of them has a wolf on the wrapper and is very environmentally conscious that has cranberries and almonds—Yep, I’m being too lazy to go look it up, sorry!—but the Chuao and the Ghirardelli are our favorites. Our kids can’t stand dark chocolate, but that’s ok… just means we don’t have to share!
Writing Life: Dialogue, Introspection and Character Vignettes
If I can just get my characters talking to each other, I’m usually in good shape. I can always go back around and fill in what things look like, what they’re doing or what’s going on around them later. But once I get them talking, everything else drops to the background and I’m lucky if I get to put in minimal stage directions and blocking as I go. It’s similar to people watching, but more like taking transcription as you eavesdrop on the characters. Guilty because I tend to ignore everything else to run with this, but Pleasure because it’s fun, allows my sense of humor to play, and it feels like the word count racks up quickly.
The flip side of this is when the characters start thinking and want to hash everything out in their heads with long, rambling bouts of internal monologues. Any action stops dead in its tracks and all forward momentum comes to a screeching halt. However, this is where I learn the most about my characters and it seems to be a process I have to go through in order to work things out in my own head. The problem is when I can’t jolt them out of their heads and into their world and into conversations with the other characters. Guilty because it helps me in the long run, but Pleasure because once I get going, it’s hard to stop and redirect, especially if I don’t know where the story should be going next.
I love little set pieces. I’m currently doing a 100 words/day challenge to just get back into the joy of writing for writing’s sake. Of course, what did I naturally slip into? Yup, little character vignettes that may or may not see the light of day. I like playing with character and seeing what I can draw out in that limited space to give you a sense of the person from so little. Guilty because I should be focusing on my WIPs (works in progress) and the characters in them, Pleasure because it’s been fun! It’s different and there are no restrictions other than getting at least 100 words down on a page.
Yes, this was taken blind. The exposure was way off and the original image is mostly black. It’s amazing the hidden gems you can find. Did I mention I LOVE digital photography?
Photography: Flowers & Intuitive Shots
With the 2012 365 Photo Challenge, I figured this would be a good section to include since I’ve definitely been indulging in a couple of guilty pleasures. I have such a wide variety of flowers in my yard here that it’s very easy to get good looking pictures without much planning or effort. One of the things I love to do is to shoot blind. By this I mean, I don’t always look through the view finder or at the screen when I set up a shot. The Guilty part here is that I know I should be stretching my eye and sense of composition beyond the easy stuff and the Pleasure comes in finding hidden little gems like a stray insect or bird I hadn’t noticed in the shot when I clicked the shutter and being surprised by what appears and works.
YOUR TURN: What are your guilty pleasures? In general or in your creative endeavors. What do you do just for the joy of it?
And if you’d like to read what the rest of my accountability group considers their guilty pleasures, you can find their blogs here:
This week for our How I Write series, my accountability group is talking about where we write. And I’m sure that the others are going to talk more about physical spaces and where they take their laptops and notebooks for field trips.
I’m going to tackle this topic from a slightly different angle. I haven’t found that going out in the world to a coffee shop, bookstore, library or other place really helps to shake things loose in my head, they provide distracting people to watch which are often much more interesting than what I’m writing! Yes, even with headphones. And I didn’t really want to show off messy pictures of my desk or some of the other spots around the house that I’ll settle into to write. Because for me, it’s not so much about the location, as if I have the right tools with me.
For brainstorming and very early exploration work on a project, I take pen and paper and usually end up spread out on the bed, scribbling madly. Once that’s done, I used to take it and try to make sense of it by organizing it into a spreadsheet in Excel or an outline in Word.
After that, I used to use Dropbox to keep the files on my desktop and my laptop synched up. But my process has changed slightly since I inherited my iPad 1 from DH who got the newest one this spring. It’s much lighter and more compact even than my Macbook Air and with Dropbox available on it, that took care of the synching issue.
Scrivener allows me to SEE the structure and rearrange easily if needed. Love the Project target window as well.
That left me with the question of what app I was going to use to do the actual writing. I’d played a bit with Notes on my phone. Ick. But, I’d recently converted to using Scrivener on my desktop and LOVE IT! The only problem is that there isn’t a version for iOS, yet.
Virtual Index Cards: Don’t Leave Home Without Them!In the meantime, I found a workaround using IndexCard which is an iPad app mostly used for screenwriting and has some of the same fundamental features. It’s holding me until Scrivener completes their app.
But what this really means is that I’m no longer tied to my desktop or laptop. I am much less reluctant to drag my iPad along with me where ever we go — out to eat (IHOP, Red Robin, Applebees, TGIFriday’s), on appointments (various doctor’s offices, the eye doctor’s), etc have all become my writing spaces as well as many more locations around the house. Somehow, the iPad isn’t as isolating to use as my laptop when we sit around the TV in the evenings and I’m not captured by the show. I can also quickly drop in and out of the current “card” and not have to worry about screwing up the pristine copy.
I just have to make sure the synching is correct. You do have to do a bit more manual synching with IndexCard, but the freedom is worth it right now.
So… for me it’s not just WHERE DO I WRITE, but more HOW I WRITE when I’m there that’s important to keeping the words flowing and the creativity bubbling.
YOUR TURN: Does a change of scenery help your creative pursuits? Where are your favorite places to work? What helps you focus and keeps you motivated to finish a project?
And if you’d like to read what the rest of my accountability group thinks about mixing up their writing venues, you can find their blogs here:
With fireworks in the night skies this week as both Canada and the US celebrate their birthdays, I got to thinking about Vauxhall Gardens where fireworks were a common entertainment in the Georgian and Regency periods.
During the Regency, the relatively cheap price of admission (about 3 shilling and sixpence during the early 19th century) and a growing middle class drove the popularity of the Pleasure Gardens at Vauxhall. You could go and listen to an orchestra play, see the fireworks, and find light refreshment or cold suppers served in one of the boxes or alcoves. Fireworks display at Vauxhall Gardens, 1800.
Like going to the fair today, the cost of such fare was not cheap. In 1817, a small dish of ham, two small chickens cost 11 shillings and dessert of assorted tarts, custards and cheesecakes were another four. Notably, the ham served was pronounced to be “as thin as muslin” or “able to read a newspaper through it”. The Gardens was also known for its arrack punch, made by mixing arrack (an Indian liquor derived from areca nut, a palm seed originating in India from the areca tree), rum and sugar.
One feature of note, especially to writers and readers of fiction in this era, was the practice of chartering boats from Whitehall and Westminster to reach the gardens located in Kennington, on the south bank of the Thames. Before Vauxhall Bridge was built in the 1810s, this was an option for those who could afford it instead of crossing Westminster Bridge, which made the gardens accessible by road after 1750, and provided a way to show off their status.
The grounds of The Gardens were lush and expansive, decorated with waterfalls, stone and thatched pavilions, and a canal running through with two elegant cast-iron bridges, in the Chinese manner. A sham castle was also prominent and planted with several pieces of cannon, bowling greens, swings, and thatched umbrellas as a shelter from sudden rains and storms.
Another feature often mentioned in Regency Romances are the many paths illuminated by as many as 15,000 colorful glass lanterns hung among the trees. Most famous of these were the Grand Walk, a wide avenue lined with stately elms that was over 900 feet long, and the “Dark Paths”, a collection of less illuminated serpentine walks, which were far more suited to seduction and discreet rendezvous for the romantic leads.
By the Georgian era, Vauxhall Gardens could accommodate crowds numbering above 60,000 for the jubliee celebration in 1786 with nightly entertainments that began in the month of May. In 1813, a fête was held on June 20th, to celebrate the victory at Vittoria. All sorts of people visited The Gardens ranging from families, to businessmen, to vendors looking to make a profit from visitors, to the cream of society wishing to be seen.
The wide variety of entertainments included acrobatics and tightrope acts, equestrian feats, and balloon ascents, and in 1827, the Battle of Waterloo was re-enacted with 1,000 soldiers participating. But as the 19th century progressed, the gardens fell into disrepair and the crowds and entertainments became less reputable as well and the popularity of the gardens faded and closed in July of 1859.
More information regarding a variety of other Regency-themed topics including other Regency London Landmarks can be found on my Regency Resource page. If you’d like more information on a specific place or topic, please let me know in the comments section below.
This week for our How I Write series, my accountability group is sharing shout outs for the people and sites who make our lives so much easier in the research department. If you’re looking for fabulous resources for Regency research, check out the sites and people listed below. THANK YOU! For bringing a bright spot to my day and making research fun, interesting and easier!
I’m not sure if everyone mentioned will see this post, but THANK YOU for your interest, your time and love of the Regency Era. You have definitely inspired me on many levels and I can only hope my own blog and pages here are as useful to others as yours have been to me. Again, thank you for all you do.
David W Wilkin has a great blog over at The Things That Catch My Eye where he’s been doing a lot of Regency timelines, notable personalities and lexicon entries. You can also follow him on twitter at @DWWilkin.
I also have more links saved in my Regency Resources page (which looks like I need to update it again with some these!) so feel free to browse over there and see if you find anything interesting.
YOUR TURN: What are some of YOUR favorite places to do do research? Hint: it doesn’t have to be Regency or Writing related at all! I’m curious about all sorts of things.
And if you’d like to read about who the rest of my accountability group are highlighting, you can find their blogs here:
This week for our How I Write series, my accountability group asked about Comfort Zones. So what exactly is one?
Comfort Zone: Those places or activities where you’re comfortable and free from anxiety.
Things that create stress and ratchet up your fears are most certainly outside of your comfort zone.
Now, there’s no question I’m an introvert, I’m drained by physically being around other people and being “on” for them, which is one of the reasons I love the internet. So one of my physical comfort zones is my cave.
I don’t have a dark cave, but it’s mine and it’s comfy.
As you can guess, I REALLY dislike doing new things in new places, especially with new people. Just joining RWA and attending my local chapter meetings used to be outside my comfort zone. Now, I don’t want to miss a month! At times it can be a bit draining, but mostly it’s become something that is a breath of fresh air each month. A sort of homecoming.
On the writing front, there have been a few other frontiers that I’ve ventured toward this year: contests, conferences, and submitting to agents.
In each of these areas, I’ve told myself, “It’s ok. Do it once, if you really hate it, don’t do it again. But you’ve tried. Each step past the line is that much farther you’re stepping out of your comfort zone.”
Ok, so the verdict is still out on conferences, but I’m actually excited about it, not freaking out. Maybe I will when I get there, but I’ll have made the effort. I think it’s interesting that I didn’t even ask my family if they wanted to tag along this time. This is progress for me.
Contests: once I submitted to one contest, I submitted to another. Submitting was the easy part. Reading the score sheets was far more difficult! But I survived. Will I do it again? Probably. It was a great way to get impartial feedback from experienced writers.
Submitting to agents: I haven’t gone hog wild with this one. I’m actually “still waiting” to hear from the agency I submitted to last fall to get my PRO status. Yeah, not holding my breath though! I also won two opportunities through other agents to submit a bit of my work to them for critique. Talk about removing most of the pressure! I got very valuable feedback from one of them and I’m still waiting to hear from the other. It’s only been a few weeks, so I’m not worried! I know how super busy she is from twitter.
I think the biggest thing I gained from these latter two opportunities wasn’t just the feedback, but getting concrete evidence that they’re real people who love books too. They’re not scary except how we build them up in our minds as makers and breakers of our careers.
Does that mean I’m rushing out to query every other agent on the planet? Nope! But, I know it’s issues concerning my manuscript that are holding me back and not fear of the agents themselves.
“Been there, done that.” Is a big phrase for me and it doesn’t come with negative connotations. I don’t hear it in that condescending air of ennui. It doesn’t mean I’m bored with something, but rather that I’ve experienced it and it’s not a huge unknown looming on the horizon for me. It’s more of a “No big deal” type of phrase in my head.
YOUR TURN: What do YOU do to push yourself to step out of your comfort zones?
And if you’d like to read about how the rest of my accountability group answered, you can find their blogs here:
